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Looking for Love in 2024

by Kai Syng Tan

It’s nearly Valentine’s, and I’m looking for love.

Don’t be silly, you scoff. Love doesn’t exist.

Silly Lovers  

Silly, then, for one Paulo Freire (1921-1997) to claim education as an act of love. Evoking the four-letter word no fewer than fifty times in the English translation of his Pedagogy of the Oppressed (1970) the Brazilian educator and philosopher links love with solidarity, humanisation and liberation, to clarify education’s mission as building a world where it is easier to love, and where educators must risk acts of love.

Laughable, too, that his contemporary James Baldwin (1924-1987) analysed love in its full range of possibilities, including erotic, platonic and familial, as well as relating to racial justice and the arts. The queer black author-activist is popularly understood to have compared the role of the artist to ‘exactly the same as the role of the lover. If I love you, I have to make you conscious of the things you don’t see’.

One generation on, bell hooks (1952-2021) took things further. For the poet-professor, love is a ‘practice of freedom’ to ‘move against domination, against oppression’. More than an act of resistance, hooks is asking for a re-positioning of our very being, which demands a shift that is both ontological (how we are), as well as epistemological (how we think). ‘The moment we choose to love we begin to move towards freedom, to act in ways to liberate ourselves and others’ (1994). Critically, diversity is key – not contrary – to this love. The same way opposites can attract, a ‘beloved’ community is formed ‘not by the eradication of difference but by its affirmation, by each of us claiming the identities and cultural legacies that shape who we are and how we live in the world’ (1995).  

Laughable Academics 

Sure, love might exist, but these are marginalised lovers, movers and shakers from the last century. So woolly and passé, you scoff. Serious academics today do not talk about love. Nor do they laugh (much), you kindly warn. If you want to be taken seriously, grow up. Act professional.

Cheers, but I’m not just an(y) academic.

I’m an artist. It’s my job to be dotty. That’s why when the pandemic hit, I discussed how the queen of dots Yayoi Kusama gives form and direction to unknowns, and called for the governments to embed artists to strategise bold exit strategies and to curate new visions. I called this ‘artful leadership’, where artists catalyse change beyond the remit of art and design.  

I’m also flagrantly hyperactive and dyslexic. I connect dots in novel ways. I love mixing and mis-matching things, to see what happens. Like running with the arts and humanities, which has helped catalysed a movement (pun fully intended) of creative ‘running studies’ and running artists as change-makers. 

Although neurodivergence is over-represented in art and design, what makes my approach a-typical within HE and HE art and design includes my background as a working-class migrant. Others may laugh or mock, but my autism and thick-skin make me as impervious as the most wrinkled elephants. I laugh back, by calling upon the octopus to confront the elephants in the ivory tower with ‘tentacular pedagogy’. Driven by the art school ethos of creativity, courage, curiosity and change-making, but with its hearts in neurodiversity, decolonisation and intersectionality, this teaching and (un-)learning framework rallies art and design to play a pro-active leadership role to remove barriers in HE, update art and design’s mission to serve ‘society, the economy and the environment’, and fulfil UNESCO’s vision for HE to prioritise care, solidarity and social justice by 2050 (easy-peasy).

Out of Love

Easy now, dear, you say. We’re all grown up and sophisticated. Like the woolly mammoth, slavery, sexism and the lot are extinct. Move on, I hear you say. Why does your kind like dwelling about the past?    

Well, no more than those who like to reminisce of the mythical ‘good old days’, I shrug. Also, like the crafty Covid virus, far from being wiped out, the worst of us is alive and kicking, and have mutated to multiple guises.

Look around us. We are out of love. Pledges of EDI or DEI during BLM 2020 that have now all but DIED. Persecution of Black ‘supertokens’. Apologists insisting that such ‘policing serves democracy, not white western supremacy’, interesting given UK’s ‘democratic backsliding’. Systems that have ‘love only for the rich’, and where ‘only the rich dare fall in love’. Creating a false dichotomy between STEM and STEAM subjects by prioritising certain subjects, and letting others face ‘bonfires’. Funding bloodbaths, bullying bosses and toxic cultures in the arts, just like its counterpart in HE which remains elitist, racist and ableist. Poverty of imagination. Research and global bodies waxing lyrical about neurodiversity and creativity, but ignoring practitioners and those with lived experience. The double-edged sword of the declaration by the new freedom of speech tzar on how universities will be fined for curbing the rights to expression, because the insistence of neutrality applies to the powerful with trans-exclusionary views, too.

All amid the small matters of an ongoing double pandemic, (support for) killings, and (culture) wars.

Love Sick

If this makes you feel sick, stick with me.

I’d love to work together, not divide us further.  

After all, Baldwin had grasped that love is hard work. Love ‘does not begin and end the way we seem to think it does’, and is instead ‘a battle, love is a war; love is a growing up’ (1960), of individuals, of societies.

Building a beloved community, and building a community that gets the value of a beloved community, is hard work. You’d agree that to get there, to catalyse any form of meaningful change, education is key. It’s just as well that, like love, hooks considers education a practice of freedom, in her tantalisingly-titled book Teaching to Transgress (1994).

This brings us back to Freire, who states that, to foster change, love, as well as dialogue, are ‘indispensable’ (1970). Dialogue ‘cannot exist’ in the ‘absence of a profound love for the world and its people’. Founded upon ‘love, humility, and faith’, ‘dialogue becomes a horizontal relationship of which mutual trust between the dialoguers is a logical consequence’.

Love Letters to the Future

That’s why myself and many others involved in social justice and decolonial work in art and design have been opening up spaces for dialogue and action within and outside of HE centred on love.

I’ve been theorising a love-centred form of leadership. Rather than a trait or talent hinged on individuals, hierarchy, organisations, positions, genes or luck, I re-imagine leadership as a diversified, beyond-colonial, neuro-queered and (co-)creative practice, outlining ‘neuro-futurism’ as a multi-faceted toolkit within this. Care, compassion, kindness, joy, thriving and empathy are key in this (ignore the boffins who claim that autistic people don’t get empathy).  

But armchair pontifications are too cosy. Which is why my book draws on my own trial and (many) errors. They include my ongoing attempts to embody and test out modes of change- and future-making, as well as to foster such possibilities for others.

That was why I created a performance and installation last November, where I ran speed-dates with people from all walks, who also share their wishes for the future in the form of red tags that they tie to a staircase, which a visitor has termed ‘love letters to the future’ (Figure 1):  

Figure 1: ‘Peace and Love’ for 2050 (Tan 2023)

That was also why, as a jury member for the Yamagata International Documentary Film Festival in Japan last October, we awarded the top prize to an anonymous filmmaker who had been imprisoned by the Myanmar military junta. We get how life- and career-changing such a prestigious award can be for the filmmaker, and what a powerful message of solidarity for other creative makers equally imprisoned – actual and otherwise – such a move sends.  

That is also why, despite extensive challenges, I have remained thick-skinned as trustee board member of an arts and social justice charity, and helped to steer radical transformation in its governance, by embedding co-creation and anti-oppression policies and practices, leading to the appointment of its first, black neurodivergent female Artistic Director.

Love Seek

For the new year, I’m doubling down on my insistence on love. I’ll do so through a new project, entitled FAB PALS.

In the pilot, I will travel to different parts of my new adopted home of Hampshire, to look for artful leaders amongst hard to reach easy to ignore. This includes the Nepalese community who had made immeasurable sacrifices during the ‘good old days’ of the British Empire, but whose courage and creativity are now all but forgotten. I will volunteer at each site, to learn about their efforts on social and climate change, and how they survive and thrive within structures not built for and often designed to harm them. We will co-create stories set in the future, to visualise alternative, better realities that they aspire towards. These stories will irritate the dominant narratives of Hampshire as a twee stomping-ground of the elite, consistently ranked UK’s most desirable place to live in, and/or the best place to escape from a zombie apocalypse. Festivals are fab, so we will showcase this in a festival called Futures Artful Biennale (‘FAB’).

This can then be scaled-up and extended, to create a model of allyship and solidarity between HE and the community, in and beyond Hampshire. The spotlight will be on how the ‘undercommons’ within HE can find and team up with the under-dogs outside, and collaborate as artful leaders. Networks go beyond performative allyship and foster meaningful friendships, so we’ll do so through a network called ‘Partnering Artful Leaders’ (‘PALS’).

FAB PALS flips the narrative HE art and design as under-valued, as outlined in a report led by CHEAD. It does so by using EDI as a positive force and creative solution — not an appendix or problem. It will enable others, including ‘naysayers’, to learn about and from participants as consultants and collaborators. In the longer run, FAB PALS will co-develop a visual access rider with local communities about equitable ways of working with HE. FAB PALS critiques the common narrative of HE helicoptering into communities to colonise efforts, and/or confuse and harm with bureaucratic processes, contracts and forms demanded by research ethics offices thick with legalese to minimise risk for HE, then leaves, just as suddenly, once the ‘public engagement’, ‘impact’ and ‘diversity monitoring’ boxes are ticked. 

Out of Love  

Any discussion of the future must include the next generation, as well as education. My generation – myself included – have been responsible for much of the lovelessness and harm that we see now and for a while. Which is also why we must help to clean up after ourselves, to learn from beloved communities to push back on the push-backs. In particular, the bold interventions of queer, neurodivergent, multi-disciplinary Gen-Z artists such as Jacob V Joyce bring to live Freire’s explanation of love as an ‘act of courage, not of fear’ (1970).

In a new masters programme on arts and cultural leadership, I’ve also been calling upon hooks, Joyce and others, to not just decolonise, but love-bomb the curriculum. Rather than those offered by run-of-the-mill arts management degrees, the modules I lead on seek to dismantle the master’s story of leadership, and to build one out of love. This morning, I was more than proud to receive a 5000-word assignment entitled ‘love’ submitted by a student, which explores the role of oxytocin and power-sharing in leadership.  

Sure, the academy ‘is not paradise’, reminds hooks (1995). Nonetheless, education remains a ‘location of possibility’, and learning remains ‘a place where paradise can be created’. Freire adds that if ‘education alone cannot transform society, without it society cannot change either’ (2004).

The road ahead is quite definitely not paradise. Still, I’ve observed that many in the business of teaching — and especially teaching art and design — do what we do, despite set-backs, because we believe that art and design, HE and HE art and design, can be a force for good. That’s why we work with students, who will lead the following generations to ask better questions. We continue to risk acts of love, knowing that change, like love, takes time, and that we can build a world where it is easier to love. As artist-lovers, we want to make others conscious of the things they don’t see, and to replace harmful structures, cultures and mindsets with oxytocin, justice, solidarity, humanisation, liberation and joy, and move towards freedom.

If you don’t get this, it’s because only serious, artful academics get – and want to beget – love.

I’ve outlined my seriously silly efforts to beget love. It’s only been 25 years since my first full-time HE teaching role – I moisturise, cheers, love – and I’ll keep trying.

Do tell me about your efforts, so that we can join hands. 

Acknowledgements: The author is grateful to the many radical artist-lovers who have inspired her to look into love. The photograph is a detail of ‘Have a Speed-Date With Kai – Let’s Re-Imagine Our (Collective) Future Together’ by Kai Syng Tan (2023), as part of Ordinary Things, which was an exhibition curated by Professor Louise Siddons, The Winchester Gallery. The photograph was taken by Amy Hamilton.

Kai Syng Tan PhD PFHEA is a trans-disciplinary artist-curator, advisor and Associate Professor in Arts and Cultural Leadership, University of Southampton. Her book Re-Imagining Leadership with Neuro-Futurism: An A-Z Towards Collective Liberation (Palgrave Macmillan 2024) will be out in Spring. These are her personal views. @kaisyngtan


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Painting and shaping Learning Landscapes with Assemblages in mind

by Peter Goodyear

This third SRHE Landscapes of Learning symposium – Assemblages – was a deeply engrossing and thought-provoking event. In this response, I want to do three things: pick and connect some particularly fruitful points from each talk – there were many, so this is hard; comment on assemblages and assemblage thinking in relation to current and future learning arrangements, and segue into the practical work of realising better spaces for learning in better universities. Landscapes are both depicted and made. An alertness to relations and flux can sharpen our perception, but can an assemblage sensibility inform better architecture?

Points plucked from the talks

Carol Taylor’s keynote made a persuasive case for connecting Deleuzian thinking about assemblages with a broad set of posthuman perspectives. She went on to offer an impressive array of spatially and materially-grounded example studies, illustrating her approach and also inspiring further research. Assemblage thinking helps us to see things that would otherwise be invisible, to give (almost?) simultaneous attention to questions of how, why, when and what, and to refuse sharp distinctions between bodies, things, words, ideas and feelings – to start with relations between things, rather than with the things themselves. Forming better ways of understanding the circumstances in which things happen is important for students of all fields and disciplines. It is important for teachers and other education workers in a second sense, because it helps set up situations for valued learning and for inducting students into practices of knowledge-making, including the practices of shaping convivial epistemic environments for themselves.

Tim Fawns used ideas of entanglement to reconcile hackneyed arguments about “technology in the service of pedagogy” vs “technology as driving and constraining pedagogy”. Pedagogy first or technology first? In most cases of educational innovation, pedagogical practices and technological infrastructures already exist and are used to justify, explain and constrain one another. They are already assembling or, one might even say, co-constituting one another. This argument is even stronger if one looks more broadly at the personal aims and technologies that students bring with them, and when one takes properly into account the complicated learning places that students configure, furnish and equip for themselves and their peers. 

Karen Gravett’s talk made clear that very little is known about how students’ activities are distributed in space, how students find, make and curate places for learning and what this means for matters of belonging (to a university). Certainly, university teachers and leaders cannot claim to know this in any representative, well-theorised or systematic way. Indeed, it emerges that there are many ways of belonging, no one way of managing campus spaces to afford inclusion and no simple metric connecting qualities of place with feelings of belonging, such as might be useful for an estates director’s KPIs.

Harriet Shortt researches relations between places, artefacts and organizational life, including places we might too-simply tag as “for work” or “for learning”. The main research site she spoke about was a newly-built Business School, though she was using this to advocate for participant-led visual methods: getting the users of buildings to photograph places of significance to them and share their annotated images. This is very useful for post-occupancy evaluation but also raises lots of deeper questions about place-making, including how people reconfigure places to resolve tensions between privacy and community, or collaboration and interruption.

The four talks illustrate the importance of understanding study activities through students’ eyes and experiences, with a capacious framing – so that what students curate and contribute isn’t simply missed – and then weaving more elaborate descriptions that catch multiple entanglements (place, tools, tasks, bodies, minds etc) so that all participants and stakeholders can agree a shared understanding of how things are being achieved, sufficient to improve the circumstances in which joint work is done. Subtle observation and an openness to complexity are important when making descriptions of how things are coming to be as they are. Then provisional simplifications are needed to agree on collective action.            

Assemblages and assemblage thinking

At several points in the “Assemblages” symposium, a leitmotif emerged: an allusion to using theoretical language at Academic Board. This recognisable shorthand conjures up our shared frustrations, as scholars of higher education, with the conceptual and linguistic gaps between research, policy and practice and with a paradox at the heart of educational work in universities: the insistence on discussing education in a vernacular language, unpolluted with exotic terms-of-art.

I am academic enough to value fine-grained disputes between knowledgeable scholars over what Deleuze and Guattari were trying to say when they wrote about rhizomes, lines-of-flight, segmentarity or assemblage. I also endorse something Carol Taylor said about the dangers of extracting ideas and terms from their intellectual homes and deploying mangled versions of them to serve dubious ends.  

But, in my own practice, I am deeply invested in understanding how knowledge, ways of knowing and ways of coming to know, that emerge in our work as scholars of education, can be made useful to other teachers and to students.  I have a practical interest in this occurring, coupled with an intellectual interest in how people actually do this work; I study epistemic practices at the boundaries of disciplines and professions. I try to understand what happens when (say) university managers in education, campus infrastructure and IT try to create better learning spaces or when people try to help design ideas travel. In thinking about “assemblage”, I am interested in how clusters of ideas migrate and become useful – to students, when they are tackling challenges that matter to them – and to teachers, architects, technologists and others involved in shaping educational spaces. So, I would say:

  • Whatever disciplines, professions or roles our students might be preparing themselves for, they will need subtle and sophisticated tools for understanding the world and acting ethically and effectively with others. Posthuman and postdigital perspectives can help students analyse the complex (learning) situations in which they find themselves, and reflect more deeply about how good work is accomplished.   
  • Scholarly teaching must acknowledge the complexities and risks involved when ideas move outside the domain of specialist scholarly debate. It is one thing to induct students into academic life by modelling scholarly disputation. It is quite another to maim or kill a half-grasped idea while it is in flight. There is a time and a place for correcting other people’s use of the term “assemblage” – but perhaps not at meetings of Academic Board.  

It’s also worth noting that “assemblage” exists somewhat independently as a technical term in fields such as archaeology, ecology, data science and art practice. One can use the noun “assemblage” to speak about the toolset of an ancient culture, the animals and plants typically inhabiting an area, a complex data set or a three-dimensional collage of objets trouvés, though these usages don’t normally have strong connotations of flux and evolution, such as we find when assemblage is understood as a verb. Moreover, there are lines of analysis within organisational science and science and technology studies (STS) that talk cogently about sociomaterial and sociotechnical assemblages, free from any visible Deleuzian mooring. I’m thinking, for example, of writing by Wanda Orlikowski, Susan Scott and Lucy Suchman on  technology in organisations and sociomaterial entanglements in working practices: productive resources for thinking about educational technology, technology in higher education, current and future learning spaces.

In sum, “assemblage” helps us notice and depict sociomaterial relations and change, but it is not the sole preserve of Deleuzian scholarship.

Learning landscapes: making places for coming-to-know

“A key element of placemaking is thus its open-ended and contingent nature. Placemaking is a dynamic experience, through which people, practice and the materiality of place undergo constant change.” (Sweeney et al, 2018, 582).

Harriett Shortt asked why so many new campus buildings mirror corporate head offices. Why do estates directors and architects impose these giant glazed voids upon us? She asked us to think of other more congenial forms: galleries and museums, for example. I think we should also be bolder and think how it might become possible for everyone involved in university life to engage in intentional place-making. We see what can be done in course and curriculum design through movements such as “Students as Partners”. We get other glimpses of what’s possible in the place-making events captured in the images our speakers shared. Beyond that, I suggest, we might try to make a scholarship of learning places that works in symbiosis with much more organic, bottom-up developments: less concerned with space-efficiency metrics and enabling the corporate; more invested in giving biophilic form to the market-place of ideas. There’s a well-established strand of work in architecture, urban planning and place-making on which we can draw. Christopher Alexander, Jane Jacobs, Marwa al-Sabouni and Thomas Heatherwick spring to mind.

It can be helpful to make a distinction, in educational work, between analysis and design. The first tries to depict and understand an existing state of affairs. The second involves steps to protect or improve upon it. The two depend upon one another, but work upon different objects. They require a dual ontology. In reflecting upon past and present educational events, we do well to acknowledge that tasks, tools and people are deeply entangled – considering assemblages or agencement helps here. But in thinking about what we can change (eg for the next time a course is run, or for the layout of a new learning space), we must break tangled realities into components over which we have some control. By “we” I don’t just mean teacher-designers or learning space researchers. Everyone has a role in this kind of place-making.

Collectively shaping material instances of what Raewyn Connell calls the “Good University” or Ron Barnett calls the “Ecological University” involves some tricky challenges. How do we form coalitions around images of what universities should be doing? How do we identify zones in which we have power to make change – including changes that give us more power to make other changes? How do we consolidate incremental changes so that we don’t dissipate our strength in perpetual defensive work? How do we co-create the infrastructure and reshape the landscapes that afford more socially responsible, sustainable and just ways of working and learning together?

Some of this may still be in our DNA. Jane Jacobs closed her great book on the organized complexity of cities with the following words. I like to think we can apply them to universities.

“Dull, inert cities, it is true, do contain the seeds of their own destruction and little else. But lively, diverse, intense cities contain the seeds of their own regeneration, with energy enough to carry over for problems and needs outside themselves.” (Jacobs, 1961, p448)

Peter Goodyear is Emeritus Professor of Education at The University of Sydney. His research on place, space and learning has appeared in a number of books, including “The Education ecology of universities: integrating learning, strategy and the academy” (Routledge/SRHE, with Rob Ellis, 2019); “Spaces of teaching and learning: integrating research and practice” (Springer, with Rob Ellis, 2018) and “Place-based spaces for networked learning” (Routledge, with Lucila Carvalho & Maarten de Laat, 2017).


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Landscapes of learning for unknown futures: presenter responses to audience questions

by Brett Bligh, Sue Beckingham, Lesley Gourlay, and Julianne K Viola

SRHE’s ‘Landscapes of Learning for Unknown Futures: prospects for space in higher education’ symposium series, delivered with Professor Sam Elkington and Dr Jill Dickinson, aims to foster continuous dialogue around learning spaces. Here the three presenters reflect on some of the ideas and issues raised during the first symposium on ‘Networks’. This blog has been compiled by Sam Elkington, Jill Dickinson, and Sinéad Murphy (SRHE Conferences and Events Manager.)

  1. How do we encourage academic staff to think more intentionally about how they use different spaces in and through their practice? How do we effectively build in ideas of working with spatiality into our learning and teaching strategies? 

Julianne: Academic staff should consider how students are connecting with each other and with educators in formal learning spaces. Spaces aren’t (in most cases) designed by the educators teaching in them, but looking at the formal learning setting (lab, lecture theatre, seminar room, etc) through a critical lens can help educators begin to think about what they might want to achieve in that space. For example, if you want to know whether a new way of teaching a challenging concept is landing with the students, also consider: can students see each other in the layout of this room? Can they look around the room to see whether anyone else has a quizzical expression on their face, so they know they aren’t alone in not understanding a concept? 

Sue: Staff need the luxury of thinking time and discussion to spark new ideas and share current practice. Encourage or lead a course/subject group activity where colleagues start by looking at how they use their own spaces, then visit other parts of their university. How are others using those spaces? Vignettes, videos and the like could be shared in newsletters which could then be used to prompt discussion and inspire alternative ways.  

Brett: If staff are to think more intentionally then they need to get used to talking about space in relation to their practice. One problem is that neither the pedagogical theories that people use, nor the institutional guidelines used in practice discussions, tend to be very helpful in talking about how space is used. We need to build a vocabulary that helps people to discuss the roles of space in practice. That vocabulary must be challenging, so that it provokes new thinking, but it must not be overly technical or oriented towards engineering or architectural concerns. In my own work I have put forward a tentative vocabulary that I think could be used, in both ‘everyday’ thinking and conversations and in institutional projects where space needs to be discussed more productively.

  • How do we work productively through the inherent contradictions of learning space design? For example, universities create specific spaces with the aim of helping to build a sense of community but then impose rules on how those spaces can be used. 

Julianne: Students tend to use spaces to socialise that aren’t entirely intended for that purpose. From example, my school friends and I used to gather in a hallway that adjoined the gym to the art wing at our high school, for no other reason than it was the perfect size for our group to hang out before school every morning! I’d be interested to see what the role of space utilisation monitors/ technology will be in the future of spaces like this. If my high school had these monitors available, I wonder whether they would consider expanding the space and adding some benches for students to sit on.  There have been some great StudentShapers projects at Imperial in this area – and the spaces that have been transformed to create more informal social space have garnered lots of positive feedback. 

Sue: When planning new buildings or updating current, it is essential that educators and students that will use those spaces are included in the conversations. The users of those spaces will be able to highlight what is missing and provide suggestions.

We need to start with reimagining what it is like to start a new course at university. I remember taking my daughters around multiple institutions for open days. Where they chose to go to was not just the course or the reputation of the university; it was where they felt comfortable and could imagine being there. Space begins with walking through the main doors, the café, the social spaces, the library and of course the formal learning spaces. Being able to visualise mentally what their future experience might look like, creating an affinity to and a sense of place they could relate to, and connect with is so important. Making the space feel welcoming and somewhere they would want to be. Connecting language to physical objects could include motivational quotes or saying welcome in multiple languages, graphics/images that depict diverse role models, big screens showcasing video clips with captions of what students are doing and creating, how and where they are collaborating and communicating. How can students be involved in created art/artefacts that can be showcased for others to see that depict the student experience?

Visiting an open day at the weekend may be busy but it doesn’t always capture the true feel of what’s to be expected in a session in full flow. How can this be created with video, AR or VR? The very spaces students will learn in are wide and varied, and may not have been experienced before.

Brett: We must view space design as an ongoing process in which refinement and new ideas are viewed as inevitably and welcome. Initial designs will hardly ever work in quite the ways intended, and so we must be prepared to refine the spaces and also recognise what has actually been achieved. To do so we need to provide ongoing forums for interprofessional and staff-student discussion. At present, these are often created for specific projects (for example, where a new building is being designed) and then wound up afterwards. Inevitably, these bounded discussions follow narrow agendas and seem formulaic. We need something more ongoing and permanent.

  • What do you think are the most immediate considerations pedagogically when thinking about how to make the best use of learning spaces? What can we practically be doing now to move staff towards being more open, flexible, and creative in and with space? 

Julianne: There is a walking interview method I’ve used in my research at Imperial: walking can generate thought. I’d be interested to see how educators can implement walking into their pedagogy, perhaps starting out with ‘office hours’ meetings happening over a walk, and maybe moving onto engaging students in formal coursework outside. Colleagues of mine like Dr Luke McCrone, who completed his undergraduate degree in Earth Science and Engineering, recognise the different way of thinking that one experiences when outside the classroom. There was a great 2014 piece on this in The New Yorker – “Why Walking Helps Us Think” by Ferris Jabr.

Sue: We can do more to create comfortable spaces to meet, collaborate and learn together outside of timetabled classes. Furniture is important; learning booths are popular in corridors as informal meeting places. Libraries, once hushed and quiet, now offer learning spaces students can use independently or with peers. Access to charging points for portable devices, as well as access to loanable devices. If we provide spaces for students to interact informally before class, it could make them feel more at ease when coming into a formal class. After the class has finished where can students go to debrief, plan for future groupwork, engage in social conversations? Landmarks they can communicate by text or group chat apps along with screenshots to arrange meetups. Such places will become favoured, and their use creates a sense of community and emotional connection. This links in to mattering as messages easily sent by mobile can cascaded to cohorts as well small groups.

Brett: Counterintuitively, the most constraining issue when discussing space usage tends to be timetabling rather than problems with particular spaces. We need to be clear that open, flexible and creative uses of space are not the same as efficient space occupancy; if a university is to be more innovative with space then occupancy metric will be challenged. I see no way other than to confront this contradiction directly.

  • Is it that spaces need to be seen as a way of ‘simulating’ certain modes of being and not just from a perspective of enacting certain forms of pedagogic content knowledge? What might this look like? 

Julianne: Great question, and my research on identity development ties in with this.  Interacting with other people and presenting different parts of ourselves to others depends on who we are with, and what the setting is. The idea of boundaries comes in again with this question. For example, the self that I present when I enter the Junior Common Room at Imperial (where the best katsu curry is!) is a bit inhibited – I feel I am encroaching on undergraduate territory, whereas I feel very relaxed having lunch or coffee outside with colleagues on the Queen’s Lawn, where the space feels more public. There are power dynamics in certain spaces!  

Sue: For current students, informal learning and self-directed learning starts before any scheduled class and often continues afterwards. Students line up ready to enter large lecture halls or sit cross legged in corridors waiting to enter a classroom for a seminar, lab, workshop or other discipline related space. Sometimes in deep conversation and some shy and yet eager to belong. If a picture is worth a thousand words what pictures would make a difference to the learning spaces to stimulate conversation? Perhaps some constant and providing familiarity, others changeable to create interest and intrigue? How can walls be used to share stories about the educators they will meet within the classroom? What stories can be told of prior students?

Brett: Many spaces do already stimulate certain modes of being. In my view these are often either ‘disciplinary’ spaces – including design studios, engineering labs, and finance trading rooms – or outdoor spaces, including green spaces but also pods and classrooms in wooded areas. If campuses are to continue to be viewed as valuable, then they need to be clearly differentiated from other forms of spaces. Too many campuses in recent times seem to look more and more like generic business parks as time goes on. This will inevitably erode how students perceive universities as places, and over time how valuable campuses are perceived to be—which could pose existential issues for some universities as institutions.

  • How can individual staff build creativity and criticality into their pedagogical approaches while working in learning spaces designed without their input? Is a collective voice among staff needed to influence how learning spaces are established; if so, how can this be facilitated, and how can an intersectional perspective on access needs and dynamics of power be assured?

Julianne: Bringing in different stakeholders when designing new spaces is key (see a list of prior StudentShapers projects at Imperial to see how students and staff became partners in designing new spaces at Imperial), and gives a sense of agency to staff and students alike. Building agency in the community would be a great outcome in and of itself. 

Sue: We need to push back against conventions. Why is furniture in a classroom in rows when we want students to interact and work in groups? Why do we plan for a lecture and separate seminar when we want students to engage in active/project/problem-based learning? It is important to evaluate innovative use of learning spaces from the students’ perspective. What works for them? How inclusive does it feel? What would they change?

Brett: Individual staff have increasingly limited power. Teaching is increasingly the domain of interprofessional collaboration and teamworking. I do think that collective voices are needed; including the forums for discussion I mentioned earlier. We also need to think more at the level of spaces across (a) whole programmes of study and (b) students’ entire experience of being at university, than at the level of the specific pedagogical interaction.

  • Hasn’t this whole conversation exploded, or at the very least fundamentally challenged, the conventional idea of a university campus?

Julianne: It has! The idea of a ‘university campus’ may also be different, depending on what your own university context is. Coming from a US liberal arts background, my initial mental image of a ‘campus’ is very different from the revised version that is in my mind’s eye after studying and working at universities in the UK. As technology has become a large part of the university experience, the conventional idea of a university campus should now include digital/online spaces, too. 

Sue: Successful examples of hybrid modes of learning are set to continue, so yes. But this also means we need to continue to review learning spaces that are not timetabled. We need to provide learning space for students to engage online; not all will have a space at home or reliable digital access, or it is too far to go home and then take an in-person class the same afternoon. Where lectures are scheduled online, students may value learning together using one screen or personal screens and headsets. In the classroom, planning a flexible space is important, being able to reconfigure seating plans to suit the needs of the class and activities. Long rows of heavy tables and chairs are not conducive to interactivity and spontaneous communication.  

Brett: Yes, I think that the idea of the university campus is being challenged profoundly, resulting in rearguard actions by some stakeholders as a form of defence. The attempts to make campuses ‘sticky’ are but one example of this.

Lesley: I would agree that it has – in some quarters – reinforced an already prevalent idea that the physical campus is obsolete or in need of ‘reinvention’. However, I would caution against an assumption that because universities managed to stay operational while fully remote, it is something to pursue post-pandemic. This was an emergency response, not an active choice, and it brought with it a large number of disadvantages to students and academic staff. Our own study at UCL into the impacts on academic and professional services staff revealed many tensions, stresses and difficulties encountered by staff remote working, with evidence of differential impacts on women and those with less workspace (https://www.ucl.ac.uk/ioe/departments-and-centres/centres/ucl-knowledge-lab/current-research/ucl-moving-online-teaching-and-homeworking-moth). Research has also shown that the pivot to online had negative effects on students in terms of alienation, lack of engagement and social support.

I would be highly critical of ‘discourses of inevitability’ which state that as a result of the pandemic, the role of the material campus and face-to-face engagement should be challenged. While remote engagement may have a limited place, I would argue that the pandemic has in fact underscored the vital importance of being physically together on campus, in terms of engagement in study, and also in terms of social contact, identity and depth and richness of experience.  

Dr Brett Bligh is a Lecturer in the Department of Educational Research, Lancaster University, and Director of the Centre for Technology Enhanced Learning. He is co-Editor of Studies in Technology Enhanced Learning and co-ordinator of the CL-SIG group dedicated to discussing uses of the Change Laboratory approach in higher education settings. His research interrogates the nexus of technology mediation, physical environment, and institutional change in higher education. Brett’s work prioritises Activity Theory conceptions of human practice, and interventionist methodologies. For further details about Brett’s work see his staff profile here.

Sue Beckingham is a Principal Lecturer and LTA Lead in Computing. In addition to teaching at undergraduate and postgraduate level, Sue has an academic development leadership role where she provide support and guidance relating to learning, teaching and assessment. In 2017 she was awarded a National Teaching Fellowship. She is also a Fellow and Executive Committee Member of the Staff and Educational Development Association. For details of Sue’s publications and other activities, see her staff profile here.

Professor Lesley Gourlay is a professor at the UCL Knowledge Lab, currently working in the intersection of Science and Technology Studies and Education, drawing on phenomenological perspectives and approaches. Her current project, funded by a Leverhulme Major Research Fellowship Grant MRF-2020-35 (Sept 2021 – 2024), focusses on ‘The Datafied University: Documentation and Performativity in Digitised Education’. She is currently working on a new monograph for Bloomsbury Academic, with a working title of ‘The University and the Algorithmic Gaze: A Postphenomenological Perspective’. For more, see Lesley’s staff profile here.

Julianne K Viola is a postdoctoral Research Associate at the Centre for Higher Education Research and Scholarship (CHERS). Julianne leads the Belonging, Engagement, and Community (BEC) and contributes to educational research and evaluation efforts across College, and is a developer of the Education Evaluation Toolkit. Previously, Julianne completed her doctoral research at the Department of Education, University of Oxford, on how adolescents develop their civic identities in the digital age, conceptualisations of citizenship, and the interplay of social media and technology on youth civic identity. For details of Julianne’s publications and other activities, see her staff profile here.


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Landscapes of Learning for Unknown Futures: Prospects for Space in Higher Education

by Sam Elkington and Jill Dickinson

Across the higher education (HE) sector, factors including increasing student numbers, growing diversification, concerns about students’ mental health and wellbeing, and marketisation, have been compounded by the COVID-19 pandemic and the cost-of-living crisis. Their culmination has pushed the changing needs of learning spaces to the top of the agenda. Against this backdrop, our Symposia Series aims to provoke critical debate around the possibilities for new configurations of learning spaces to support decision-making, policy and practice in developing future landscapes of learning within HE.

Learning Landscape

In response to the challenges faced within the HE environment, university estates teams need to recognise how learning can take place anytime and anywhere and develop radical strategies for student-centred, sustainable campus design. Future approaches to learning need to be dynamic and linked, and weave together formal and informal activities to create a holistic learning experience. We offer the concept of ‘learning landscape’ to explore how universities can draw on a spectrum of different learning spaces to reflect changing preferences and incorporate digital technologies. This Symposia Series at SRHE presents opportunities for key stakeholders to engage in collaborative reflexive discussions around, and debate the potential for, effectively entwining the possibilities for pedagogy, technology, and learning spaces.

Symposia Series

The Symposia Series brings together leading voices from across the field to encourage critical discussion and debate with a view to generating, encapsulating, and assembling key insights that can inform future decision-making, policy, and practice around landscapes of learning in HE. The Series is structured through the prism of three thematic lenses: networks, assemblages, and flexibilities, with a separate Symposium dedicated to each. Through providing opportunities for shared learning, we hope that the Series will cultivate an ongoing community of practice that will support the development of better understanding around the opportunities for developing learning spaces in terms of their networks, assemblages, and flexibilities.

Networks, Flexibilities, and Assemblages

In the first Symposium, which focuses on the theme of Networks, we chart a focus shift in HE, recognising that the contemporary learning landscape needs to be considered less in terms of singular learning spaces and more in terms of the ways in which spaces are becoming more connective, permeable, networked, and interwoven (physically and digitally), providing inclusive and adaptive environments in which learning can take place. Professor Lesley Gourlay (University College London) will be giving the keynote at this Symposium, followed by presentations from Sue Beckingham (Sheffield Hallam), Dr Julianne K Viola (Imperial College London), and Dr Brett Bligh (Lancaster).

The second Symposium explores the idea of flexibility as a critical aspect of how learning is situated relative to the demands of students for greater control in fitting their studies around their learning needs and preferences, as well as other aspects of their lives. Such a view implies a widening and loosening of the boundaries of conventional learning spaces to provide greater potential flexibility in how, where, and when learning happens. In this Symposium, we will hear from Dr Jeremy Knox (Edinburgh) (as keynote), Dr Andrew Middleton (Anglia Ruskin), Dr Kevin Merry (De Montfort), Dr Namrata Rao (Liverpool Hope) and Dr Patrick Baughan (The University of Law).

The third and final Symposium draws on the lens of Assemblages to examine the expanding spectra of both learning spaces (including their architecture and materiality) and the pedagogical approaches that are being adopted within them. These discussions are presented against the backdrop of challenges posed by traditional decision-making around strategic long-term estates-planning, resource implications, and the need to act swiftly to meet the challenges presented by a dynamic HE environment. Following a keynote fromProfessor Carol Taylor (Bath) at this Symposium, we will also hear presentations from A/Prof Tim Fawns (Monash), Dr Karen Gravett (Surrey), and Dr Harriet Shortt (UWE).

Thinking differently about conversation

We are also drawing on this Symposia Series as an opportunity for modelling multimodal opportunities for engagement to foster more inclusive, effective, and ongoing dialogue and encourage informed, meaningful change. Each of the three Symposia will run primarily face-to-face, hosted by SRHE in London. Components of each Symposium (namely the Keynote and Presentations) will also be streamed live so as to enable a hybrid format and remote engagement. We will also be recording content from each Symposium to help further engage as wide an audience as possible. We are inviting a selection of international scholars with recognised expertise in different aspects of HE learning space research to engage with, and review, the keynote and presentation materials from the Symposia and work with us to produce extended blogs in response. In addition, we will be facilitating continued dialogue to bridge each Symposium across the Series through other modes, for example via the use of Padlet, blogs, social media, and podcast communications to create a rich tapestry of critical insight and debate that we hope will drive the conversation forwards around the prospects for learning space in HE.

Sam Elkington is Professor of Learning and Teaching at Teesside University where he leads on the University’s learning and teaching enhancement portfolio. Sam is a PFHEA and National Teaching Fellow (NTF, 2021). He has worked in Higher Education for over 15 years and has extensive experience working across teaching, research and academic leadership and policy domains. Most recently Sam worked for Advance HE (formerly the Higher Education Academy) where he was national lead for Assessment and Feedback and Flexible Learning in Higher Education. Sam’s most recent book (with Professor Alastair Irons) explores contemporary themes in formative assessment and feedback in higher education: Irons and Elkington (2021) Enhancing learning through formative assessment and feedback London: Routledge.

Dr Jill Dickinson is an Associate Professor in Law at the University of Leeds. As a SFHEA, Jill was also selected as a Reviewer for the Advance HE Global Teaching Excellence Awards, and she has been shortlisted for National Teaching Fellowship. A former Solicitor, specialising in property portfolio management, Jill’s dual research interests are around place-making and professional development, and her work has been recognised in the Emerald Literati Awards for Excellence. Jill holds a number of editorial roles, including board memberships for Teaching in Higher Education and the Journal of Place Management and Development. She has recently co-edited a collection entitled Professional Development for Practitioners in Academia: Pracademia which involves contributions from the UK and internationally, and is being published by Springer. Jill has also co-founded communities of practice, including Pracademia in collaboration with Advance HE Connect.


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Will universities fail the Turing Test?

by Phil Pilkington

The recent anxiety over the development of AI programmes to generate unique text suggests that some disciplines face a crisis of passing the Turing Test. That is, that you cannot distinguish between the unique AI generated text and that produced by a human agent. Will this be the next stage in the battle of cheating by students? Will it lead to an arms race of countering the AI programmes to foil the students cheating? Perhaps it may force some to redesign the curriculum, the learning and the assessment processes.

Defenders of AI programmes for text generation have produced their own euphemistic consumer guides. Jasper is a ‘writing assistant’, Dr Essay ‘gets to work and crafts your entire essay for you’, Article Forge (get it?) ‘is one of the best essay writers and does the research for you!’.  Other AI essay forgers are available. The best known and the most popular is probably GPT-3 with a reported million subscribers (see The Atlantic, 6/12/2022). The promoters of the AI bots make clear that it is cheaper and quicker than using essay mills. It may even be less exploitative of those graduates in Nepal or Nottingham or Newark New Jersey serving the essay mills. There has been the handwringing that this is the ‘end of the essay’, but there have been AI developments in STEM subjects and art and design.

AI cannot be uninvented. It is out there, it is cheap and readily available. It does not necessarily follow that using it is cheating. Mike Sharples on the LSE Blog tried it out for a student assignment on learning styles. He found some simple errors of reference but made the point that GPT-3 text can be used creatively for students’ understanding and exploring a subject. And Kent University provides guidance on the use of Grammarly, which doesn’t create text as GPT-3 does ab initio but it does ‘write’ text.

Consumer reports on GPT-3 suggest that the output for given assignments is of a 2.2 or even 2.1 standard of essay, albeit with faults in the text generated. These seem to be usually in the form of incorrect or inadequate references; some references were for non-existent journals  and papers, with dates confused and so on. However, a student could read through the output text and correct such errors without any cognitive engagement in the subject. Correcting the text would be rather like an AI protocol. The next stage of AI will probably eliminate the most egregious and detectable of errors to become the ‘untraceable poison’.

The significant point here is that it is possible to generate essays and assignments without cognitive activity in the generation of the material. This does not necessarily mean a student doesn’t learn something. Reading through the generated text may be part of a learning process, but it is an impoverished form of learning. I would distinguish this as the learning that in the generated text rather than the learning how of generating the text. This may be the challenge for the post AI curriculum: knowing that is not as important as knowing how. What do we expect for the learning outcomes? That we know, for example, the War Aims of Imperial Germany in 1914 or that we know how to find that out, or how it relates to other aims and ideological outlooks? AI will provide the material for the former but not the latter.

To say that knowing that (eg the War Aims of Imperial Germany, etc) is a form of surface learning is not to confuse that memory trick with cognitive abilities, or with AI – which has no cognitive output at all. Learning is semantic, it has reference as rule-based meaning; AI text generation is syntactic and has no meaning at all (to the external world) but makes reference only to its own protocols[1]. As the Turing Test does not admit – because in that test the failure to distinguish between the human agent and the AI is based on deceiving the observer.

Studies have shown that students have a scale of cheating (as specified by academic conduct rules). An early SRHE Student Experience Seminar explored the students’ acceptance of some forms of cheating and abhorrence of other forms. Examples of ‘lightweight’ and ‘acceptable’ cheating included borrowing a friend’s essay or notes, in contrast to the extreme horror of having someone sit an exam for them (impersonation). The latter was considered not just cheating for personal advantage but also disadvantaging the entire cohort (Ashworth et al, ‘Guilty in Whose Eyes?’). Where will using AI sit in the spectrum of students’ perception of cheating? Where will it sit within the academic regulations?

I will assume that it will be used both for first drafts and for ‘passing off’ as the entirety of the student’s efforts. Should we embrace the existence of AI bots? They could be our friends and help develop the curriculum to be more creative for students and staff. We will expect and assume students to be honest about their work (as individuals and within groups) but there will be pressures of practical, cultural and psychological nature, on some students more than others, which will encourage the use of the bots. The need to work as a barista to pay the rent, to cope as a carer, to cope with dyslexia (diagnosed or not), to help non-native speakers, to overcome the disadvantages of a relatively impoverished secondary education, all distinct from the cohort of gilded and fluently entitled youth, will all be stressors for encouraging the use of the bots.

Will the use of AI be determined by the types of students’ motivation (another subject of an early SRHE Student Experience Seminar)? There will be those wanting to engage in and grasp (to cognitively possess as it were) the concept formations of the discipline (the semantical), with others who simply want to ‘get through the course’ and secure employment (the syntactical).

And what of stressed academics assessing the AI generated texts? They could resort to AI bots for that task too. In the competitive, neo-liberal, league-table driven universities of precarity, publish-or-be-redundant monetizing research (add your own epithets here), will AI bots be used to meet increasingly demanding performance targets?

The discovery of the use of AI will be accompanied by a combination of outrage and demands for sanctions (much like the attempts to criminalise essay mills and their use). We can expect some responses from institutions that it either doesn’t happen here or it is only a tiny minority. But if it does become the ‘untraceable poison’ how will we know? AI bots are not like essay mills. They may be used as a form of deception, as implied by the Turing Test, but they could also be used as a tool for greater understanding of a discipline. We may need a new form of teaching, learning and assessment.

Phil Pilkington’s former roles include Chair of Middlesex University Students’ Union Board of Trustees, and CEO of Coventry University Students’ Union. He is an Honorary Teaching Fellow of Coventry University and a contributor to WonkHE. He chaired the SRHE Student Experience Network for several years and helped to organise events including the hugely successful 1995 SRHE annual conference on The Student Experience; its associated book of ‘Precedings’ was edited by Suzanne Hazelgrove for SRHE/Open University Press.

[1] John Searle (The rediscovery of the mind, 1992) produced an elegant thought experiment to refute the existence of AI qua intelligence, or cognitive activity. He created the experiment, the Chinese Room, originally to face off the Mind-Brain identity theorists. It works as a wonderful example of how AI can be seemingly intelligent without having any cognitive content.  It is worth following the Chinese Room for its simplicity and elegance and as a lesson in not taking AI seriously as ‘intelligence’.


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Research co-creation may be the key to impact

by Finley Lawson

I have been using a design-based implementation approach to co-creating educational research since 2019 at Canterbury Christ Church University, where a cross-institutional team of teachers, researchers, and school senior leaders grapples with where and how to provide opportunities for students to become ‘epistemically insightful’ (equipped with an understanding of the nature of knowledge within disciplines and across disciplinary boundaries). Previous research by the Centre discovered that pressures within schools dampen students’ expressed curiosity in questions about the nature of reality and human personhood and limit the development of their epistemic insight into how science, religion and the wider humanities relate. We developed the Epistemic Insight Initiative to understand the kinds of interventions, tools, and pedagogies that would address the current challenges posed by a compartmentalised curriculum. The challenge we faced was how we could transform whole-school curriculum practice without removing teacher agency. We wanted to ensure that the intervention(s) met the needs and experiences of each school community, without becoming so contextualised that that the findings and approaches couldn’t be generalised to have wider applicability (and ultimately impact).

Part of our role as universities is to produce (and facilitate the production of) knowledge. As the REF puts it we should be “illustrating the benefits research delivers beyond academia, including how it brings tangible changes to aspects of society and life, and the public value it delivers”. Yet within educational research there is a perceived disjunct between the research undertaken by universities (or professional research organisations) and the research used and undertaken by teachers and practitioners in schools and other educational settings. This is highlighted in practitioner-focused literature where evidence-informed practice is often divided between desk based ‘research’ by teachers as separate from ‘academic research’ conducted by universities or research organisations – a model which emphasises the teachers’ role as a consumer rather than creator of research (Nelson and Sharples, 2017). This divide can also border on a dismissal of teachers’ ability to engage with academic research, by insisting for example that we shouldn’t “expect teachers to learn to read research” and our role as researchers should be to create “teacher-friendly research”, with the implication that this is somehow ‘less than’ academic research (Miller et al, 2010). Why is this divide important for SRHE? We are after all focused on higher education so, apart from a call to consider broader dissemination avenues for our research, why does it matter?

My answer is impact. Not solely, or even primarily, in terms of a ‘REF-able’ impact, but because we know that education research has the power to transform students’ experiences of learning and thus broaden their aspirations for higher education. Whilst there is a wealth of literature on the importance of research engagement within initial teacher education and professional development (for example see Hine, 2013; Hagger and Mcintyre, 2000; Murray et al, 2009), the question of how to ensure that the research ecosystem is reciprocal (i.e. that teachers/practitioners are viewed as knowledge producers not just consumers) is still relatively under discussed. A research ecosystem can be seen as analogous to a natural ecosystem where knowledge is transferred between stakeholders in a process that leads to the emergence of systemic change. The current challenge is to ensure that knowledge flows from teachers/practitioners into the system; Pandey and Pattnaik (2015) discuss this within a university and Godfrey and Brown (2019) within a school but there is less research on bringing these “micro-systems” together into a mutually enriching “macro-system” (although research by Connelly et al (2021) in the Irish context is promising). Educational research is about improving the opportunities and outcomes for those in education. For this to happen the change/intervention must continue to be implemented beyond an individual project, and often within the constraints of existing curricula and assessment frameworks. This means that teachers and educators need to be seen not as a resource for ‘local expertise’ but as a crucial part of the research ecosystem.

The establishment and development of a co-creation relationship across a diverse group of primary and secondary schools has taken about three years and has been led by both teachers and school senior leaders. The linchpin for these relationships has been a shared recognition of the challenges identified within the previous research, and an interest in examining how school students can be better equipped to navigate disciplinary and curricula boundaries. This shared goal means that the school and research centre aims are aligned and therefore the core data collected can be standardised across the schools, but with the addition of contextualised questions that address the specific questions of each school. These local questions alongside school-level data for the core questions are shared with the school to support their practice and development plans. As a research centre we analyse data from across the partner schools, with the advantage that, as the research addresses shared concerns, teacher engagement with the research is high. This ensures a 95% plus response rate across multiple data collection points for each cohort. Teachers and school leaders receive training on the philosophical framework underpinning the research and the learning tools but work in collaboration with the centre to develop lessons and curricula that meet the aims of the research. As researchers we act in a quality assurance role during the intervention development, which means that the teachers are at the forefront of shaping the intervention for their students and within their institutional constraints. This close collaboration means that we address two of the key features required in building research in schools (a) “a willingness to embed the research activity into existing school systems” and (b) “access to sources of expertise and advice” (Sanders et al, 2009). In one school this saw a movement from 10 teachers being involved in the initial curriculum design (plus delivery by 7 members of the senior team) to, in the second year, the entire professional development programme being restructured around research-engaged Professional Learning Communities, where staff undertook their own action-research projects.  Now, in the third year, all staff including support staff are in mixed research teams as part of their professional development.

Sharp et al identify a range of benefits to schools in being research engaged, including teacher retention, raised standards and school development. The biggest impact we have noticed, shared by our partner schools, has been the combined impacts on teacher development/practice and their epistemic agency to investigate the educational questions that matter to them, empowered by an ethos that acknowledges that not every intervention will succeed. 80% of participating teachers in one school agreed that it has improved their understanding of disciplinary methods of their own discipline in relation to one they don’t teach. Across the schools, teachers have changed practice within their teaching and have been empowered to signpost students better to links with other subjects. As researchers, we have seen our work embedded in ways and places that we could not have envisioned and seen a genuine interest from schools to engage in research that required the time and expertise of sometimes the whole staff body (particularly in primary schools). This kind of impact with whole year groups, even whole schools, taking part in research-engaged curriculum interventions and redevelopment would not be possible were we using a ‘traditional’ research model that excluded co-creation. The power of co-creation is that these ‘interventions’, if they can still be called that, will continue far beyond the directly funded projects that started them, because those involved have ownership of what is taking place.

Our role now, outside the continued partnership, is to understand how we, in HE, can use our position to amplify practitioner voices, to share this practitioner research widely within the research landscape. We are still looking for the best way to support those teachers to share their research-engaged practice into teacher education directly (through knowledge exchange opportunities with students on QTS programmes) and with educational researchers. In placing practitioner research within the research landscape, we truly recognise its value within the research ecosystem and can share how generalised interventions/findings can be implemented in practice, in schools or other settings every day. We must ensure that our HE practice includes acting as a knowledge broker, supporting, and enabling the production of knowledge by the communities which HE serves and feeding that back into the wider research environment.

Finley Lawson is the Lead Research Fellow for Outreach and Schools’ Partnership, at the LASAR (Learning about Science and Religion) Research Centre at Canterbury Christ Church University, Kent. His recently-submitted PhD examines the implication of scientific metaphysics for incarnational theology (Christ, Creation, and The World of Science: Beyond Paradox). He is interested in the dialogue between STEM, Religion, and the wider humanities, and how this can be fostered in school curricula. Finley is the Lead Researcher on the OfS-funded Inspiring Minds Project. The co-created research with schools discussed here has been funded by the Templeton World Charitable Foundation and forms part of the wider Epistemic Insight Initiative. As a centre we would like to thank all the schools who have been actively involved in our research but in particular the staff and students at Astor School, Bromstone Primary School, and Wilmington Grammar School for Girls, who have been case study schools during the project and have been involved in publicly sharing their work and experiences.

Email: finley.lawson@canterbury.ac.uk; Twitter: @FinnatCCCU


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Using Tentacular Pedagogy to change the HE culture

by Kai Syng Tan

From Leonardo da Vinci (whose trans-disciplinary inventiveness was attributed to his ADHD) to bell hooks (whose professorial role drew on her activism and poetry practice), history has no lack of examples of how creative and neurodivergent processes have produced insights to catalyse social and culture change. There are also growing calls for interdisciplinary and creative approaches prioritising equity, diversity and inclusion (EDI) to solve wicked global challenges (AHRC 2022, WEF 2016).

However, the ‘dog-eat-dog’ culture of Higher Education (HE), austerity measures and more are leading to harmful consequences, and stakeholders with protected characteristics are worst affected (Berg, Huijbens, and Larsen 2016; UKRI 2021; Bhopal 2020; Blell, Liu and Verma 2022).  Creative arts (CA-HE), often deemed less valuable than STEM subjects, are particularly threatened (Puffett 2022, Redmond 2020), evidenced in the closure of departments, and exacerbating the already tense relationship between the CA-HE and HE (Elkins 2009). Furthermore, research suggests CA-HE is elitist (Annetts 2018; Starkey 2013), racist (Orr 2021; Tan 2021a), and failing neurodivergent students and staff by not paying enough attention to their mental wellbeing (who are over-represented in CA-HE at around 30% in the student population, in Bacon and Bennett 2013; RCA 2015).

Octopuses and Tentacles

I have been cultivating ‘Tentacular Pedagogy’ (TP) for 24 years as a HE teacher and consultant. Prioritising creative thinking, leadership and EDI, this teaching and learning practice draws on the octopus’s extraordinary composition of three hearts and nine minds. My keynote lecture for the European League of Institutes of the Arts Teachers Academy argued for a polycentric, transversal, (co-)creative teaching/learning approach which aims to make CA-HE more inclusive. In doing so, and following artist-academic James Elkin’s (2009) call to use creative research to inform and transform HE, TP rallies CA-HE to play a more (pro-)active leadership role within HE and beyond in nurturing a more creative and compassionate future. UNESCO (2021) have called for HE to ‘repair injustices while transforming the future’ by 2050, with a new ‘social contract’ that prioritises ‘human dignity and cultural diversity’, plus ‘care, reciprocity, and solidarity’.

Three Hearts and Nine Minds

TP features three EDI tenets and nine dimensions. TP’s heart(s) lies in neurodiversity, decolonisation (and the related notions of anti-racism and internationalisation), and intersectionality. Neurodiversity has remained largely ‘invisible’ in HE (Tan 2018), even though it has been called a ‘competitive advantage’ or ‘the next talent opportunity’ for organisations (Harvard 2017, WEF 2018). This is a missed opportunity, given HE’s ‘omnicrisis’ (Gill 2022). Activating research about how creativity, neurodiversity, and leadership interrelate (Tan 2021b; Tan 2019, Baron-Cohen 2017; Lesch 2018, Abraham et al 2006), TP cares about teaching/learning with/from/for/by marginalised ideas, methods and communities, who are often excluded from HE and syllabi. Surviving – even thriving – within hostile systems, TP purports that these communities are already creative and leader-ful by nature and design, and CA-HE should learn from them. TP also allies with other minoritised communities to address all social oppression (Obasi 2022, Walker 1983). Just as each tentacle of the octopus is an independent mind, TP’s nine embodied ‘minds’ teach/learn through nine Cs.

Creativity, Community and Co-Creation

TP celebrates creativity, community and co-creation. This concerns creative thinking (Krathwhol 2002, Marton and Säljö 1976) encompassing everyday creativity and disruptive invention alike (Kaufman & Beghetto 2009). TP engages with external communities toform unique learning communities. Learners include peers, professors and professionals within and beyond CA-HE and HE, including psychological and social sciences and third sector organisations. TP also foregrounds multi-directional and anti-hierarchical learning. Often gathered in the same learning environment together, TP’s diverse learners, including the ‘teacher’, learn via collaboration.

Creativity, Community and Co-Creation were exemplified in the 75th Anniversary Celebrations of the 5th Pan African Congress in Manchester(PAC75) for Black History Month 2020. Led by Manchester Metropolitan University in collaboration with the Universities of Manchester and Salford, and local arts bodies, PAC75 marked Manchester’s impact on global history in nationhood and Black Lives Matter through a programme celebrating diverse leadership and intersectional engagement through culture. In 18 seminars, performances, and workshops black students chaired sessions with elders like Afua Hirsch and Kwame Anthony Appiah (Princeton), elevating their self-worth and leadership. Materials produced continue to be used, for example in Manchester’s ‘Remaking Modern British History’ MA, and at the University of Ghana.

Collage, Can-Do, Curiosity

TP cultivates novel, meaningful synergies between diverse and/or disconnected body-minds, subjects, disciplines, classes and cultures, driven by ‘productive antagonisms’ (Latham and Tan 2017). TP itself collages pedagogies like undercommons (Moten and Harney, 2013), and STEM-to-STEAM movements (Pomeroy 2012, Eger 2011). Following the shapeshifting octopus, TP also nurtures a can-do attitude. Agility, resourcefulness and enterprise are cultivated through role-play, advocacy, volunteering and action-learning. As an artist-teacher-reflective practitioner (Thornton 2005) and a REF-submitted researcher, I conjoin teaching/learning with scholarship, research, knowledge exchange, community/ industry/public engagement and widening participation. Furthermore, like the adventurous octopus, TP teachers/learners are exploratory and ‘ill-disciplined’ (Tan and Asherson 2018). Using play and interdisciplinarity, ‘deficits’ become positive action.

The ethos of collage, can-do and curiosity are played out in the Neurodiversity In/& Creative Research Network. The Network was set up to continue conversations and actions started by an art-psychiatry project #MagicCarpet (National Coordinating Centre for Public Engagement Culture Change Award 2018) that I led at King’s College London. I invited a #MagicCarpet participant to co-lead the Network. Today, this global alliance embodies bell hooks’ ‘beloved community’ (1996) that affirms — not eradicates — difference. It comprises 360 neurodivergent people, including the inventor of neurodiversity, sociologist Judy Singer. Local and spinoff groups that members lead like the Kansas City League of Autistics and the Scottish Neurodiverse Performance Network empower HE staff and students to connect and advocate for themselves and others. Applying TP’s ‘cross-species’ learning through intersectionality, the Network is an evolving hub, and models what an inclusive teaching/learning ecosystem looks like. Its masterclasses and seminars foster best practices in teaching/learning and research between and beyond CA-HE. HE teachers, students and researchers and professionals aside, members include activists, policy-makers, clinicians, CEOs and entrepreneurs who learn from/with one another as critical friends. Unusually, the Network welcomes self-proclaimed ‘allies’ too, which protects those unable/un-ready to disclose their difference. To counter exceptionalism and racism, which is not uncommon in other disability/neurodiversity-led communities (Barbarin, 2021; Russell, 2020; Mistry, 2019; Tan, 2019; Rashed, 2019), the Network welcomes racially-diverse people, and those with neuro-differences beyond the ‘classical’ remits of neurodiversity like stroke and PTSD.

Established in response to the pandemic, the Network attracted 150 members by April 2020, hinting at how CA-HE has hitherto failed neurodivergent teachers/learners. The Network has ignited pathways to improve teaching/learning practices and cultures, empowered neurodivergent HE stakeholders, and led to further work such as a dance commission ‘Dysco’ for Southbank Centre by a Glasgow PhD student (Watson 2021) and a journal article by a US neuroscientist (Zisk 2021). Members tell their own stories, instead of being ventriloquised, commodified or white-washed by others. Mobilising their new-found confidence, skills and knowledge, members forge new initiatives, and lead further changes at local, institutional and sectoral levels, to collectively make CA-HE and HE more equitable. For instance, a member, as Jisc Head of Strategic Support Unit, founded Jisc’s first ever neurodiversity group, which is now 100 members strong. That group is supported by Jisc’s new EDI director, while the member has gone on to become a Trustee of the National Attention Deficit Disorder Information and Support Service. Members will co-produce A Handbook of Neurodiversity and Creative Research (2024) with a major academic publisher, with reviewers describing it as a ‘distinctive’ and ‘valuable’ intervention with a ‘very high scope of impact’ to HE.

Circulation, Courage and Curating Change

Neurodiversity is a subset of biodiversity (Singer 1998); ergo, TP ‘re-pays’ nature and society, prioritising ‘zero waste’ in natural and human resources, and enacts ‘Look, Think, Act’ to ‘sustain reform in teaching/learning ecologies’ (Patterson et al, 2010). To enrich the 3Rs (writing, arithmetic, reading), TP ‘up-cycles’ frameworks like ‘Curiosity, Compassion, Collaboration and Communities’ (Orr 2021), rhizomatic learning (Guerin 2013) and ‘tentacular thinking’ (Haraway 2016). TP seeks to dismantle colonialist ‘monuments’ and master’s narratives (Lorde 1984). Its ‘unruly’ tentacles celebrate ‘multiplicity in knowledge production’ (Zarabadi et al, 2019; Branlat et al, 2022) and, like the audacious octopus and ADHD-er, power towards unknowns. Last but not least, TP is about curating change. ‘Curating’ originated in care, and octopuses have thrived for 300 million years: TP nurtures future-facing models of leadership marrying compassion and vision. I seek to embody such a change-maker in what/how I teach/learn. As an outsider gate-crashing into environments historically shut to others like myself, I use my privilege to open doors for others, and make them co-leaders.

Circulation, Courage and Curating Change are enacted in a new MA Creative Arts Leadership for which I am Programme Leader, to be launched in September 2023 at Manchester Metropolitan University. Prioritising decolonised and environmentally-conscious models of change-making, the MA is with/for/by teachers/learners to generate personal, organisational, and social change, and addresses gaps in current HE offerings in leadership development and arts management/policy. Using examples like MMU alumna artist-turned-suffragist Sylvia Pankhurst, the MA counters the danger of a ‘single story’ (Adichie 2009) of how ‘leadership’ is taught/learnt. The MA entangles creativity with business acumen, sustainability and inclusion.

The mission of the study of art and design is to develop ‘cognitive abilities related to the aesthetic, ethical and social contexts of human experience’ that ‘contributes to society, the economy and the environment, both in the present and for the future’ (QAA 2019). Amid multiple threats to CA-HE, Tentacular Pedagogy’s nine ‘tentacles’ can extend teaching excellence in CA-HE and HE. TP’s ‘three hearts’ of neurodiversity and how it intersects with race and gender, manifested in the examples above as subject and teaching/learning approaches, and in collaborating with neurodivergent teachers/learners, illustrate how a more inclusive CA-HE can foster a legacy of teaching excellence and make HE thrive. 

Dr Kai Syng Tan PhD FRSA SFHEA is an artist, curator, academic, consultant, agitator, change-maker, volunteer and gatecrasher who is known for her ‘long-established expertise in using creative research as a form of critical co-creation of knowledge’ that ‘challenges dominant frameworks in and beyond the academy’ (AHRC review 2021). Her keynote lectures, op-eds, exhibitions, creative interventions and more have been featured at MOMA (New York), BBC, Biennale of Sydney and Tokyo Design Week. She has (co-)led projects with budgets from £0 to £4.8m (opening and closing ceremonies of ASEAN Para Games 2015). Her creative leadership innovations include extending ‘Running Studies’ through her RUN! RUN! RUN! Biennale. Apart from being the first artist on the Editorial board of the British Journal of Psychiatry Bulletin, Kai is a trustee board member of Hear Me Out (charity for detained migrants), and was Expert Panel Advisor for Media Authority of Singapore (2007-2012). Having taught/examined/consulted at more than 100 universities worldwide, Kai is a Senior Lecturer at Manchester School of Art.

Kai is grateful for the feedback and critical friendship of Susan Orr,  Stephanie Aldred, Chrissi Nerantzi and Laura Housman in developing aspects of Tentacular Pedagogy


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Education from scratch, or resisting the lure of the oven ready meal

by Karen Gravett

Ready meals can be enjoyable, quick and simple to make. And yet we know that prioritising a diet of oven ready dinners is not really good for us. What does this have to do with education? The educational equivalent of the oven ready meal is the ‘best practice’, the quick fix principle that seduces teachers into thinking that generalised solutions can solve knotty educational challenges.  In 2007, Gert Biesta explained clearly ‘Why what works won’t work’. Biesta’s argument is that generalised strategies for addressing educational challenges are problematic, as such prescriptions for practice severely limit the opportunities for educators to make judgments in ways that are sensitive to and relevant for their own contextualized settings.

Despite Biesta’s wise words, today the pressure upon university educators to fix educational issues – to resolve students’ dissatisfaction with feedback, to ‘solve’ student engagement, remains stronger than ever. Attempts to simply synthesise the findings of educational research are common, and requests that educators provide simple, digestible ‘best practices’ have assumed even greater volume.

It is easy to understand why. Simple solutions that promise ‘quick wins’ are intensely desirable in our busy and competitive sector, where evidencing teaching enhancement really matters. Complex conversations involving theory and nuance? Less so. Like an oven ready lasagne, the best practice solution offers speed, simplicity, and consistency, but perhaps little actual goodness.

But educators also know that the teaching environment is far from consistent. It is rarely simple. Rather, it is messy, emergent, patchy, emotional, material, complex, and shifting moment to moment. Indeed, the limits of context-free ‘best practices’ are only becoming more evident as student and staff populations diversify, and as educators understand more about how to recognise and respond to that diversity. If we take assessment feedback as an example, how can any simple solution claim to offer a context-free best practice? Yes, dialogic feedback has been shown to be useful and powerful, but we cannot simply ask teachers to engage students in dialogue and assume that they will take on board a teacher’s feedback, in order to develop themselves, and improve. There are multiple reasons why dialogue might be inhibited including poor communication skills, a lack of time and space, a lack of motivation, miscommunication, power relations between students and staff of race, gender, class and disability, technological affordances and constraints, and so on. The teacher needs to consider what is taking place within the situated practice (Gravett 2022), as well as their own values as a teacher, making judgments as to how to proceed within that specific interaction. As Sian Bayne and colleagues (2011) explain: ‘best practice’ is a totalising term blind to context – there are many ways to get it right’.

Inevitably, others will pose (at least) two objections to this call to embrace complexity. Firstly, they may say − but what is the point of educational research if it does not generate solutions, solve problems, and create scalable implications that can easily be placed in the educational microwave? I suggest that educational research is about giving colleagues the confidence to ‘educate from scratch’. It encourages teachers to think about the ingredients of teaching and learning. If we think about our example of the student-teacher feedback interaction, then yes dialogue is important, but educators need to take time to look at the ingredients of effective dialogue rather than assuming that meaningful communication is simple and easy to achieve. As Elizabeth Ellsworth explained: ‘Acting as if our classroom were a safe space in which democratic dialogue was possible and happening did not make it so’ (1989, p315). Space, time, relational connections premised on openness and trust, shared understanding, all of these are the ingredients of effective communication. Yes, fostering student engagement is important, but educators need to look at the social and material contexts of the specific class or interaction in order to consider what practices to employ at that moment, and moreover, how to evolve such practices as situations change.

So what does education from scratch mean? It means thinking about:

  • The uncertainty, risk and complexity inherent in educational practices
  • Our own values as teachers and the impact of these values on our teaching
  • The specific sociomaterial environment we are working within, both disciplinary and at the level of the class and interaction. What might be the material or temporal constraints that impact upon our practice?
  • The particular learners that we are working with in that context. What matters to them?
  • How we can evolve our practice as situations change?

The second objection may be: but today’s teachers don’t have time to develop thoughtful, relational pedagogies! I agree that time is often short. Education from scratch might not be easy or quick. But a permanent diet of ready meals, pedagogies bleached of richness and complexity, would be too high a price to pay. Rather, we can learn from educational research, and from the ideas of colleagues, in order to gain insights that direct our own situated judgments. To develop ‘different ways to see’ (Biesta, 2020).

Fortunately, there is a great deal of fantastic, and thoughtful practice in our sector, but we need to continue and expand upon this, inspiring educators to have confidence to explore their own situated learning environments and to value those nuanced, micro-moments of learning and teaching. By broadening our understanding, we can explore a wider range of meaningful, critical and relational pedagogies, that we might be able to use to develop educational interactions that really matter.

References

Bayne, S, Evans, P,  Ewins, R. Knox, J, Lamb, J, Macleod, H, O’Shea, C, Ross, J, Sheail, P and Sinclair, C (2020) The Manifesto for Teaching Online Cambridge: MIT Press

Biesta, G (2007) ‘Why “What Works” Won’t Work: Evidence-based Practice and the Democratic Deficit in Educational Research’ Educational Theory 57: 1-22

Biesta, G  (2020) Educational Research: An Unorthodox Introduction London: Bloomsbury

Ellsworth, E (1989) ‘Why Doesn’t This Feel Empowering? Working Through the Repressive Myths of Critical Pedagogy’ Harvard Educational Review 59 (3)

Gravett, K (2022) ‘Feedback Literacies as Sociomaterial Practice’ Critical Studies in Education 63:2 261-274

Gravett, K (2023) Relational Pedagogies: Connections and Mattering in Higher Education London: Bloomsbury

Dr Karen Gravett is Senior Lecturer at the Surrey Institute of Education, where her research focuses on understanding learning and teaching in higher education, and explores the areas of student engagement, belonging, transition, and relational pedagogies. She is Director of the Language, Literacies and Learning research group, Co-convenor of the SRHE Learning, Teaching and Assessment network, and a member of the editorial board for Teaching in Higher Education. Her work has been funded by the Society for Research in Higher Education, the Association for Learning Development in Higher Education, the British Association for Applied Linguistics, the UK Literacy Association, and the Arts and Humanities Research Council. She is a Principal Fellow of the Higher Education Academy.


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Fun and games – nurturing students’ ‘being’

by Lucy Gill-Simmen and Laura Chamberlain

It is widely known that skills required by employers today are focused less on discipline specific skills and more on personal skills (also referred to as soft skills or human skills). For example, relatively recently, Tracy Brower in Forbes declared empathy to be the most important leadership skill. Other reports, such as those from the World Economic Forum and OECD, cite skills such as critical thinking, creativity, resilience, self-awareness and emotional intelligence among the top ten skills required in today’s workplace. In our changing world, with elevated awareness of issues such as climate change, sustainability, social justice and EDI, this tendency towards the personal skills should come as no surprise. This is because the skills required to address such issues are often human-centred. The gap between higher education and the workplace will only widen should we overlook our role as educators in developing these personal skills in students.

Drawing inspiration from the Dalai Lama who said ‘We are human beings not human doings’, educators need to find the right balance between the disciplinary content of a degree programme where students are ‘knowing and doing’ and the dimension of ‘being’. With a greater focus on ‘being’ which is linked to the development of personal skills, academics are required to embed areas of practice within their subject-specific classes to allow students to hone their skills. This is no easy feat since departure from a curriculum constituting the dissemination of knowledge and information causes consternation and demotivation amongst some academics who feel potentially deskilled. It isn’t far-fetched to imagine faculty declaring ‘we’re not here to teach them to be self-aware’.

There’s some merit in this way of thinking, since indeed we need to take care. Being human or at least openly demonstrating one’s human side in the workplace may come with its downsides too. There’s a viewed yet flawed tension between behaving in ways which show one’s human side and appearing unprofessional, particularly amongst women. The backlash against the Finnish Prime Minister, Sanna Marin who was recently filmed dancing with her friends suddenly brought her professionalism into question. Known for her empathic leadership, this act of having fun became something that went against her. This aligns with the thoughts of some academics who mull over whether sometimes having fun in the classroom just seems wrong.

However, if it is our role to effect change in human beings, we must look beyond disciplinary knowledge and indeed the mode of delivery of knowledge which Freire (1970) in Pedagogy of the Oppressed refers to as banking. We must  ask ourselves how do we nurture student ‘being’? If we equate the development of personal skillswith being and becoming, we need to consider acts which shape and change the world. To do so we can consider the notion of praxis – action which embodies particular qualities.

Praxis is not a new phenomenon; Aristotle posited that praxis “was guided by a moral disposition to act truly and rightly; a concern to further human well-being and the good life”. If we adopt a praxis inquiry model, introducing context and ‘concrete structures’ into our management teaching as espoused by Freire (1972), we must equally consider how to foster the ‘being’ component of praxis. Traditionally, praxis pedagogies are found within disciplines such as nursing, teaching, and social work. We argue, however, that such pedagogies should not only be confined to the realms of human caring professions but should extend beyond and into other professions. Ironically, given the experience of Sanna Marin, even in politics we see the call for more empathic and emotionally aware leadership.

The discipline of business and management presents us with challenges. Given the sheer breadth of the discipline, we cannot always be sure of the contexts and influences that shape and provide sense-making in the world of work encountered by business and management graduates. This is also reflected in the dearth of signature pedagogies in business and management and the lack of definition when considering the ‘concrete structures’ we refer to earlier. Further challenges are presented in business and management, since how do we know what students will ‘be or become’ when they graduate? If a student studies dentistry, they are most likely to become a dentist, if a student studies law, there’s a good chance they’ll become a lawyer. However, graduates of business and management could become consultants, accountants, marketers or project managers to name but a few graduate destinations.

The knowledge that we need to provide to foster ‘being and becoming’ in business and management can appear rather elusive. Not only we, but other scholars too have asked the same question. For instance, Barnett (2009) asks: if a curriculum built on knowledge in higher education can be understood to be an educational vehicle to promote a student’s development, where are the links between knowledge and student ‘being and becoming’?

The meaning of praxis can be considered as ethical, self-aware, responsive, and accountable action and involving the reciprocal of knowing, doing and being (White, 2007). From our perspective,  knowing and doing are taught and assessed through discipline-based teaching and learning activities but this raises the question of how we embed the ‘being’. How can we ensure that business and management students are equipped to ‘be’ competent practitioners?

Although normally firmly benched in human caring professions such as nursing and teaching, we argue that there is a place for praxis pedagogies in business and management. Subscribing to a Habermasian school of thought, praxis requires knowledge of how to be a particular kind of person. In business and management, the particular kind of person is particularly difficult to foresee. Thus, the contextual element is difficult. However, we propose that steps need to be taken in the direction of the ‘being’ element of praxis. One way to do so is by drawing upon creativity and creative pedagogies as a means to developing students’ ‘being-in-the-world’ and to honing the skills leading to creativity growth.

Passive teaching methods, such as rote-memorisation and large-format lectures still dominate academia, despite research calling for more appropriate ways of instruction. This is where current practices diverge from the common mission of developing twenty-first-century skills in students. If learning goals should match teaching and learning activities, it is important to place higher education faculty into the discussion of creativity (Robinson et al, 2018). This is due to the nature of creative pedagogy, which is where to find many components which align with twenty-first-century skills important to future workforce needs. These include critical thinking, problem solving and innovation.

Along with two other colleagues (Dr Artemis Panigyraki and Dr Jenny Lloyd) we recently facilitated a creativity workshop at Warwick Business School in association with the Academy of Marketing. Designed for PhD students and early career researchers, we showcased some examples of embedding creativity into the curriculum. The aim of the workshop was to introduce new academics to innovative ways of teaching and to demonstrate how, through the adoption of different creative pedagogies, students could potentially gain alternative perspectives and views of the world and discover an alternative way of ‘being’. So as not to deviate too far from the academic discipline, we embedded the learning tasks within the discipline of Marketing. In doing so, we demonstrated how one can bring creativity to the classroom whilst still meeting the subject-based learning outcomes.

In line with Daniel Pink’s (2006) work on developing the right side of the brain, or the creative side, the workshop was designed around four different creative areas: the arts, design thinking, play/imagination, and storytelling. For each theme, activities were designed to immerse participants in a creative activity and in so doing allowed them to experience ‘being’ in an alternative and/or imagined world. Examples of activities were to imagine the discipline of Marketing as a song, and to select such a song to add to a Spotify playlist. Some participants found this challenging, others knew immediately which song they would select, despite having never been asked to do this before. They were immediately required to ‘be’ in a different space. Participants were tasked with sketching a product concept for a doorknob using both user-centered design and design-driven innovation. This pushed many participants out of their comfort zone, some declaring they ‘didn’t know how to draw’. Other tasks involved writing captions for The New Yorker cartoons, a form of play which measures whole-minded abilities. Following this task, many participants declared it challenging, whilst a few declared it fun. Specifically, they said coming up with the required elements of a caption such as rhythm, brevity and surprise did not come naturally. Other tasks included building a free-standing tower out of dried spaghetti and writing a story capturing a plot with morals, characters, and conflict. Each task held values that allowed for different aspects of ‘being’.

The characteristics of creative pedagogies which marked the ‘being’ emerged over the course of the workshop. We observed ‘being’ as ‘thinking differently’, ‘being playful’, ‘struggling’, ‘being a child’, ‘being innovative’, promoting changes in behaviours manifesting as sparking the imagination, bringing out the competitive spirit and experiencing joy. Participants were experiencing ‘being’ within the experience of exploration of the unknown. The variety of activities throughout the workshop allowed participants to experience different ways of ‘being-in-the-world’ (Denmead, 2010). Through this process, participants saw themselves in a different way and in a way that signified a change in their receptivity.

Many participants found themselves reverting to being a younger version of themselves as they were asked to think about stories which they enjoyed as a child. This was expanded as they were asked to  write a story; many noted they had not written a story since they were at school. They wrote stories of romance and demonstrated vivid imagination, which had perhaps long been hidden, thus they were ‘being’ in a space of former times, one where child-like imagination was revered. Spaces of struggle, of not knowing, uncertainty, open-endedness, frustration, of joy, and with a friendly, almost childlike competitive spirit were spaces beyond the norms of everyday behaviours and structures. The activities gave participants places in which to operate, to behave and to ‘be’. Participants were able to temporarily suspend ordinary conventions, the boundaries of structural obligation, functional pressures and engage in behaviours whose value was not immediately evident. They broke away from the normal constructed boundaries within which they are expected to exist and behave on a normal day and engaged in play. Many declared the activities as freeing and expressed their views of creativity as relating to freedom, noting they had a choice in how they executed the tasks and also in their outcome. Interestingly, there has been vast philosophical debate around freedom as constituting a significant part of ‘being’.

To develop the human skills sought after in the workplace, ‘being and becoming’ need to be central tenets of a higher education system. There is an inherent need for us to satisfy the third dimension of praxis, this is ‘being’. How do we do this? We do this through promoting different ways of ‘being- in-the-world’ and pushing the boundaries of the norms in higher education. Creativity and creative pedagogies are an effective way of doing this.

Dr Lucy Gill-Simmen is a Senior Lecturer in Marketing & Director of Education Strategy in the School of Business & Management, Royal Holloway, University of London. Follow Lucy via @lgsimmen on Twitter

Professor Laura Chamberlain is Professor of Marketing and Assistant Dean PGT at Warwick Business School, The University of Warwick. Follow Laura via @LMChamberlain on Twitter and @drlaurachamberlain on Instagram

References
Barnett, R (2009) ‘Knowing and becoming in the higher education curriculum’ Studies in Higher Education, 34(4): 429-440

Denmead, T (2011) ‘Being and becoming: Elements of pedagogies described by three East Anglian creative practitioners’ Thinking skills and Creativity, 6(1): 57-66

Freire, P (1970) Pedagogy of the oppressed Penguin Classics edition 2017

Freire, P (1972) Cultural action for freedom Ringwood: Penguin

Pink, DH (2006) A whole new mind: Why right-brainers will rule the future. Penguin

Robinson, D, Schaap, BM and Avoseh, M (2018) ‘Emerging themes in creative higher education pedagogy’ Journal of Applied Research in Higher Education

White, J (2007) ‘Knowing, doing and being in context: A praxis-oriented approach to child and youth care’ Child & Youth Care Forum 36(5): 225-244


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The Digital Tutor: Digital Tools, Relationships and Pastoral Support in Higher Education

by Jodie Pinnell and Sukhbinder Hamilton

If navigating higher education in recent times has taught us anything, it is that digital technology for teaching and learning is no longer an ‘option’ but imperative for an accessible and inclusive learning environment. With the sudden response to Covid-19 leading to remote online approaches overnight, some professionals in higher education have been thrust into a new digital world, and in survival mode, this has naturally prioritised its potential for pedagogy. Unsurprisingly, research has investigated digital technology and pedagogy thoroughly (Williams, 2012), but outside of the remit of formal counselling (Situmorang, 2020) and distance learning (Hilliam and Williams, 2019), the potential for digital tools for pastoral support has yet to be thoroughly explored. This gap in research prompted us to see how digital tools can benefit personal tutors, and more importantly, how these tools can aid relationships, in a climate where students and academic staff find themselves more disconnected than ever before.

Working in the capacity as senior lecturers, predominantly for undergraduate Childhood Studies programmes, the ‘digital awakening’ brought about by Covid-19 has been a welcome development in our practice. For us, it has paved the way for new approaches, new thinking and ultimately innovations in all areas to support students. Even before the unexpected impacts of Covid-19, we had identified a gap in our personal tutor practice at level 4, a crucial time for students to feel supported as they settle into the first year of their undergraduate degrees. For context, within a study skills module, students are allocated a designated academic ‘personal tutor’ to address academic and personal matters. Whilst this module design has historically allowed for a holistic approach to study skills and pastoral support, it has relied on students being confident enough to approach their personal tutors to articulate needs, something that many were often reluctant to do independently.

The nature of the personal tutor and tutee relationship within higher education is one conducted in a climate which is growing ever more ‘consumerist’ in nature; with inflated expectations for ‘value for money,’ and rhetoric defining students as customers (Modell, 2005). With increasing student numbers (Yale, 2019), it is notable that more and more students are demonstrating wellbeing issues (Universities UK, 2020). The personal tutor is the first point of contact for students to discuss concerns, and with a focus on emotional wellbeing through individualised support, the personal tutor role can be increasingly compared to that of a counsellor (Jorda, 2013). A supportive relationship with a personal tutor in the first year of a degree can prepare students for more challenging times (Brinkworth et al, 2009), and in managing transitions, provides a familiar face and a door to knock on. Giving ownership to the student to share information with their tutor is needed, especially where personal or sensitive issues need to be discussed, and the student signposted to necessary services is required.

Despite this, it has been found that students can struggle to understand the role of their personal tutor (Ghenghesh, 2018, p 571), and with diverse student needs, tutors are pressured to help at all costs, with support not appropriately suited to the confinement of ‘office hours’ (Jorda, 2013, p 2595). Other challenges span a general lack of effective tutor training or the ability to meet increasingly complex student needs (Lochtie et al, 2018). With growing workloads, academics already have a plethora of ‘hats’ to wear (Knight, 2002), with competing demands in other areas, causing a conflict for a role that cannot necessarily be time bound.

Within this consumerist culture, and with a focus on the personal tutor role (and its challenges), we decided to do something different. A Google form asking pastoral questions was forwarded to first year students at the start of the academic year, giving them the opportunity to provide a written background about themselves. Without knowing this would prompt a research project and prove to be valuable, the form aimed to ‘break the ice’ between tutor and student, to remedy reports that some students struggled to open up. Without an opportunity for students to discuss their needs, the correct support is difficult to provide. The form’s questions included; How are you currently feeling about enrolling at the university? What are your hopes and fears regarding university life, and the course? What do you expect from the tutors? And importantly (and most effectively) the request to ‘Finish this sentence… I wish my tutor knew…’ (Schwartz, 2016). All answers were collated in a spreadsheet, and tutors were able to find their tutees’ answers through a search function. The aim of the forms was to give personal tutors an insight into the student’s world without requiring them to initiate conversations in a ‘cold’ meeting with a stranger, ‘fast-tracking’ a relationship between personal tutors and their tutees. The form was completely optional and formed the basis of the first tutorial meeting between tutors and students, giving some background, but ultimately allowing students to outline issues that they may struggle to articulate in the first instance.

Following the success of this approach, a second form was issued at the end of the year, with questions about the effectiveness of using the initial form. Both ethical clearance and student consent were sought to publish the findings. All responses from the students who agreed to participate were collated in one single document, and with rich findings two papers emerged, one focusing on the role of the tutor, and the other on the impact of Covid-19, but with threads of student wellbeing and a sense of belonging running through both.

It’s safe to say that the findings have made a real impact on our practice. Firstly, the value of the forms for relationship development were clear, with snapshots illustrating that it allowed students to reflect on how they are feeling and to raise any concerns they had. Linked to wellbeing, the approach meant that students could discuss mental health issues and their home life situations, without needing to ‘physically disclose something to a stranger.’ Linked to expectations surrounding the personal tutor role, it was clear that students saw their tutors as the first person they felt ‘comfortable’ with, and they expected them to learn about their names and backgrounds. Qualities of a tutor were clearly identified as ‘respect,’ ‘empathy’ and ‘trustworthiness,’ and at level 4, this was largely characterised by the transitions associated with first year study. Anxiety, relief, wellbeing and the impact of Covid-19 were threaded through these findings, leading back to the role of the tutor primarily for support.

So, what’s next? For practice, the continued use of the digital forms will remain an integral part of our pastoral strategy but rolled out across other year groups also. The value of the personal tutor role needs to be reiterated across the team and plans are afoot to provide in-house training. This is not just a useful step to take within our establishment but should be the case for higher education in general as it is imperative for successfully supporting students as a first point of contact. Further research is needed in the area of digital tools for pastoral care and their potential for fast-tracking relationship development and ‘breaking the ice.’ Working towards the goal of creating an inclusive learning environment starts with relationships, and with the rise in remote working, we can rely on digital tools to help, harnessing their perceived unlimited potential to enhance the student experience.

Jodie Pinnell is a Senior Lecturer, Course Leader and Senior Tutor in the School of Education and Sociology at the University of Portsmouth. She is a Senior Fellow of the Higher Education Academy UK. Follow Jodie on Twitter @jodieEdu

Dr Sukhbinder Hamilton is a Senior Lecturer in the School of Education and Sociology at the University of Portsmouth. She is a Co-Convenor for ‘The Women’s Workshop Sociological Collective,’ and a Fellow of the Higher Education Academy UK. Follow Sukh on Twitter @sukhhamilton1

References

Brinkworth, R, McCann, B, Matthews, C and Nordström, K (2009) ‘First-Year Expectations and Experiences: Student and Teacher Perspectives’, Higher Education 58 (2) 157–173. https://DOI:10.1007/s10734-008-9188-3  

Ghenghesh, P (2018) ‘Personal Tutoring From the Perspectives of Tutors and Tutees’, Journal of Further and Higher Education, 42 (4), 570-584. DOI: https://10.1080/0309877X.2017.1301409

Hilliam, R and Williams, G (2019) ‘Academic and pastoral teams working in partnership to support distance learning students according to curriculum area’, Higher Education Pedagogies, 4 (1) 32-40 https://doi.org/10.1080/23752696.2019.1606674

Jorda, JM (2013) ‘The Academic Tutoring at University Level: Development and Promotion Methodology Through Project Work’,  Social and Behavioral Sciences 106 (1) 2594- 2601

Knight, P (2002) Being a Teacher in Higher Education  Buckingham: SRHE Open University Press

Lochtie, D, McIntosh, E, Stork, A, and Walker, BW (2018) Effective Personal Tutoring in Higher Education. Critical Publishing

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