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Using Tentacular Pedagogy to change the HE culture

by Kai Syng Tan

From Leonardo da Vinci (whose trans-disciplinary inventiveness was attributed to his ADHD) to bell hooks (whose professorial role drew on her activism and poetry practice), history has no lack of examples of how creative and neurodivergent processes have produced insights to catalyse social and culture change. There are also growing calls for interdisciplinary and creative approaches prioritising equity, diversity and inclusion (EDI) to solve wicked global challenges (AHRC 2022, WEF 2016).

However, the ‘dog-eat-dog’ culture of Higher Education (HE), austerity measures and more are leading to harmful consequences, and stakeholders with protected characteristics are worst affected (Berg, Huijbens, and Larsen 2016; UKRI 2021; Bhopal 2020; Blell, Liu and Verma 2022).  Creative arts (CA-HE), often deemed less valuable than STEM subjects, are particularly threatened (Puffett 2022, Redmond 2020), evidenced in the closure of departments, and exacerbating the already tense relationship between the CA-HE and HE (Elkins 2009). Furthermore, research suggests CA-HE is elitist (Annetts 2018; Starkey 2013), racist (Orr 2021; Tan 2021a), and failing neurodivergent students and staff by not paying enough attention to their mental wellbeing (who are over-represented in CA-HE at around 30% in the student population, in Bacon and Bennett 2013; RCA 2015).

Octopuses and Tentacles

I have been cultivating ‘Tentacular Pedagogy’ (TP) for 24 years as a HE teacher and consultant. Prioritising creative thinking, leadership and EDI, this teaching and learning practice draws on the octopus’s extraordinary composition of three hearts and nine minds. My keynote lecture for the European League of Institutes of the Arts Teachers Academy argued for a polycentric, transversal, (co-)creative teaching/learning approach which aims to make CA-HE more inclusive. In doing so, and following artist-academic James Elkin’s (2009) call to use creative research to inform and transform HE, TP rallies CA-HE to play a more (pro-)active leadership role within HE and beyond in nurturing a more creative and compassionate future. UNESCO (2021) have called for HE to ‘repair injustices while transforming the future’ by 2050, with a new ‘social contract’ that prioritises ‘human dignity and cultural diversity’, plus ‘care, reciprocity, and solidarity’.

Three Hearts and Nine Minds

TP features three EDI tenets and nine dimensions. TP’s heart(s) lies in neurodiversity, decolonisation (and the related notions of anti-racism and internationalisation), and intersectionality. Neurodiversity has remained largely ‘invisible’ in HE (Tan 2018), even though it has been called a ‘competitive advantage’ or ‘the next talent opportunity’ for organisations (Harvard 2017, WEF 2018). This is a missed opportunity, given HE’s ‘omnicrisis’ (Gill 2022). Activating research about how creativity, neurodiversity, and leadership interrelate (Tan 2021b; Tan 2019, Baron-Cohen 2017; Lesch 2018, Abraham et al 2006), TP cares about teaching/learning with/from/for/by marginalised ideas, methods and communities, who are often excluded from HE and syllabi. Surviving – even thriving – within hostile systems, TP purports that these communities are already creative and leader-ful by nature and design, and CA-HE should learn from them. TP also allies with other minoritised communities to address all social oppression (Obasi 2022, Walker 1983). Just as each tentacle of the octopus is an independent mind, TP’s nine embodied ‘minds’ teach/learn through nine Cs.

Creativity, Community and Co-Creation

TP celebrates creativity, community and co-creation. This concerns creative thinking (Krathwhol 2002, Marton and Säljö 1976) encompassing everyday creativity and disruptive invention alike (Kaufman & Beghetto 2009). TP engages with external communities toform unique learning communities. Learners include peers, professors and professionals within and beyond CA-HE and HE, including psychological and social sciences and third sector organisations. TP also foregrounds multi-directional and anti-hierarchical learning. Often gathered in the same learning environment together, TP’s diverse learners, including the ‘teacher’, learn via collaboration.

Creativity, Community and Co-Creation were exemplified in the 75th Anniversary Celebrations of the 5th Pan African Congress in Manchester(PAC75) for Black History Month 2020. Led by Manchester Metropolitan University in collaboration with the Universities of Manchester and Salford, and local arts bodies, PAC75 marked Manchester’s impact on global history in nationhood and Black Lives Matter through a programme celebrating diverse leadership and intersectional engagement through culture. In 18 seminars, performances, and workshops black students chaired sessions with elders like Afua Hirsch and Kwame Anthony Appiah (Princeton), elevating their self-worth and leadership. Materials produced continue to be used, for example in Manchester’s ‘Remaking Modern British History’ MA, and at the University of Ghana.

Collage, Can-Do, Curiosity

TP cultivates novel, meaningful synergies between diverse and/or disconnected body-minds, subjects, disciplines, classes and cultures, driven by ‘productive antagonisms’ (Latham and Tan 2017). TP itself collages pedagogies like undercommons (Moten and Harney, 2013), and STEM-to-STEAM movements (Pomeroy 2012, Eger 2011). Following the shapeshifting octopus, TP also nurtures a can-do attitude. Agility, resourcefulness and enterprise are cultivated through role-play, advocacy, volunteering and action-learning. As an artist-teacher-reflective practitioner (Thornton 2005) and a REF-submitted researcher, I conjoin teaching/learning with scholarship, research, knowledge exchange, community/ industry/public engagement and widening participation. Furthermore, like the adventurous octopus, TP teachers/learners are exploratory and ‘ill-disciplined’ (Tan and Asherson 2018). Using play and interdisciplinarity, ‘deficits’ become positive action.

The ethos of collage, can-do and curiosity are played out in the Neurodiversity In/& Creative Research Network. The Network was set up to continue conversations and actions started by an art-psychiatry project #MagicCarpet (National Coordinating Centre for Public Engagement Culture Change Award 2018) that I led at King’s College London. I invited a #MagicCarpet participant to co-lead the Network. Today, this global alliance embodies bell hooks’ ‘beloved community’ (1996) that affirms — not eradicates — difference. It comprises 360 neurodivergent people, including the inventor of neurodiversity, sociologist Judy Singer. Local and spinoff groups that members lead like the Kansas City League of Autistics and the Scottish Neurodiverse Performance Network empower HE staff and students to connect and advocate for themselves and others. Applying TP’s ‘cross-species’ learning through intersectionality, the Network is an evolving hub, and models what an inclusive teaching/learning ecosystem looks like. Its masterclasses and seminars foster best practices in teaching/learning and research between and beyond CA-HE. HE teachers, students and researchers and professionals aside, members include activists, policy-makers, clinicians, CEOs and entrepreneurs who learn from/with one another as critical friends. Unusually, the Network welcomes self-proclaimed ‘allies’ too, which protects those unable/un-ready to disclose their difference. To counter exceptionalism and racism, which is not uncommon in other disability/neurodiversity-led communities (Barbarin, 2021; Russell, 2020; Mistry, 2019; Tan, 2019; Rashed, 2019), the Network welcomes racially-diverse people, and those with neuro-differences beyond the ‘classical’ remits of neurodiversity like stroke and PTSD.

Established in response to the pandemic, the Network attracted 150 members by April 2020, hinting at how CA-HE has hitherto failed neurodivergent teachers/learners. The Network has ignited pathways to improve teaching/learning practices and cultures, empowered neurodivergent HE stakeholders, and led to further work such as a dance commission ‘Dysco’ for Southbank Centre by a Glasgow PhD student (Watson 2021) and a journal article by a US neuroscientist (Zisk 2021). Members tell their own stories, instead of being ventriloquised, commodified or white-washed by others. Mobilising their new-found confidence, skills and knowledge, members forge new initiatives, and lead further changes at local, institutional and sectoral levels, to collectively make CA-HE and HE more equitable. For instance, a member, as Jisc Head of Strategic Support Unit, founded Jisc’s first ever neurodiversity group, which is now 100 members strong. That group is supported by Jisc’s new EDI director, while the member has gone on to become a Trustee of the National Attention Deficit Disorder Information and Support Service. Members will co-produce A Handbook of Neurodiversity and Creative Research (2024) with a major academic publisher, with reviewers describing it as a ‘distinctive’ and ‘valuable’ intervention with a ‘very high scope of impact’ to HE.

Circulation, Courage and Curating Change

Neurodiversity is a subset of biodiversity (Singer 1998); ergo, TP ‘re-pays’ nature and society, prioritising ‘zero waste’ in natural and human resources, and enacts ‘Look, Think, Act’ to ‘sustain reform in teaching/learning ecologies’ (Patterson et al, 2010). To enrich the 3Rs (writing, arithmetic, reading), TP ‘up-cycles’ frameworks like ‘Curiosity, Compassion, Collaboration and Communities’ (Orr 2021), rhizomatic learning (Guerin 2013) and ‘tentacular thinking’ (Haraway 2016). TP seeks to dismantle colonialist ‘monuments’ and master’s narratives (Lorde 1984). Its ‘unruly’ tentacles celebrate ‘multiplicity in knowledge production’ (Zarabadi et al, 2019; Branlat et al, 2022) and, like the audacious octopus and ADHD-er, power towards unknowns. Last but not least, TP is about curating change. ‘Curating’ originated in care, and octopuses have thrived for 300 million years: TP nurtures future-facing models of leadership marrying compassion and vision. I seek to embody such a change-maker in what/how I teach/learn. As an outsider gate-crashing into environments historically shut to others like myself, I use my privilege to open doors for others, and make them co-leaders.

Circulation, Courage and Curating Change are enacted in a new MA Creative Arts Leadership for which I am Programme Leader, to be launched in September 2023 at Manchester Metropolitan University. Prioritising decolonised and environmentally-conscious models of change-making, the MA is with/for/by teachers/learners to generate personal, organisational, and social change, and addresses gaps in current HE offerings in leadership development and arts management/policy. Using examples like MMU alumna artist-turned-suffragist Sylvia Pankhurst, the MA counters the danger of a ‘single story’ (Adichie 2009) of how ‘leadership’ is taught/learnt. The MA entangles creativity with business acumen, sustainability and inclusion.

The mission of the study of art and design is to develop ‘cognitive abilities related to the aesthetic, ethical and social contexts of human experience’ that ‘contributes to society, the economy and the environment, both in the present and for the future’ (QAA 2019). Amid multiple threats to CA-HE, Tentacular Pedagogy’s nine ‘tentacles’ can extend teaching excellence in CA-HE and HE. TP’s ‘three hearts’ of neurodiversity and how it intersects with race and gender, manifested in the examples above as subject and teaching/learning approaches, and in collaborating with neurodivergent teachers/learners, illustrate how a more inclusive CA-HE can foster a legacy of teaching excellence and make HE thrive. 

Dr Kai Syng Tan PhD FRSA SFHEA is an artist, curator, academic, consultant, agitator, change-maker, volunteer and gatecrasher who is known for her ‘long-established expertise in using creative research as a form of critical co-creation of knowledge’ that ‘challenges dominant frameworks in and beyond the academy’ (AHRC review 2021). Her keynote lectures, op-eds, exhibitions, creative interventions and more have been featured at MOMA (New York), BBC, Biennale of Sydney and Tokyo Design Week. She has (co-)led projects with budgets from £0 to £4.8m (opening and closing ceremonies of ASEAN Para Games 2015). Her creative leadership innovations include extending ‘Running Studies’ through her RUN! RUN! RUN! Biennale. Apart from being the first artist on the Editorial board of the British Journal of Psychiatry Bulletin, Kai is a trustee board member of Hear Me Out (charity for detained migrants), and was Expert Panel Advisor for Media Authority of Singapore (2007-2012). Having taught/examined/consulted at more than 100 universities worldwide, Kai is a Senior Lecturer at Manchester School of Art.

Kai is grateful for the feedback and critical friendship of Susan Orr,  Stephanie Aldred, Chrissi Nerantzi and Laura Housman in developing aspects of Tentacular Pedagogy


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Offering a curriculum change evaluation tool

by Camille Kandiko Howson and Martyn Kingsbury

This blog offers an overview of a curriculum evaluation tool, part of a recently published article ‘Curriculum change as transformational learning’, in Teaching in Higher Education.

A decade ago, one of us led a strand of work exploring global best practice in whole-institution curriculum change, as part of a wider Higher Education Funding Council for England (HEFCE) project. The resulting book, Strategic Curriculum Change, identified that while huge amounts of time and money were spent doing large-scale curriculum change, as well as vast costs on the subsequent marketing of it, next to nothing was invested in evaluating it.

One of the main challenges is that while a curriculum change initiative starts off as a separate project, it eventually becomes business as usual. Such change efforts often come at a high political cost as well, with senior leaders often moving on and leaving the implementation to others. Many efforts never really get off the ground, instead lingering and taking on board new ideas, blending the old and the new. These may water down the original vision and drive for change, further hindering evaluation.

Evaluating change

We have recently had the opportunity to remedy this gap, through evaluating a whole-institution curriculum review project, part of a comprehensive nine-year investment plan to reposition teaching and learning within an institution. While it is easy to check the administrative side of a change effort (were boxes ticked, forms filled out), analysing the whether the ethos, purpose and guiding principles were adopted requires a much more nuanced approach.

We designed a multi-stage evaluation plan to explore to what extent were the principles of a Learning and Teaching Strategy embedded within new curriculum structures, as well as the impact on personal and disciplinary culture.

This output provides insight into the first stage of curriculum change – taking new ideas and pedagogical approaches and building them into the bricks and mortar of the educational experience and into the minds and practices of those delivering the curriculum. This approach allows for evaluating to what extent a change effort is just words on a slick new webpage, or whether there has been a transformation of the curriculum.

The review in context

The review is based in a highly devolved, mid-size urban research-intensive institution in the UK. The institutional change programme is based on four pillars:

1) Assessment Reform: A review of curricula with the objective of reducing over-assessment

2) Active Learning: An evidence-based transformation of pedagogy, to make teaching more discovery-based

3) Diversity and Inclusion: The fostering of an inclusive and diverse culture and sense of belonging

4) Digital and Technology Enhanced Learning: The development of online and digital tools to enhance curricula, pedagogy and community

We evaluated the degree of departmental engagement with the institution-wide curriculum review policy through a discourse analysis of three sources: 1) a public Learning and Teaching Strategy; 2) internal Curriculum Redesign Forms, the quality assurance process stating changes, rationale and engagement; and 3) external Programme Specifications, detailing the educational offer for prospective students.

The evaluation tool

We designed an evaluation rubric, and in the paper we cover two aspects of it. The first explores engagement with the four pillars of the Strategy in the Curriculum Redesign Forms, through the adoption of language, intent and application, resulting in 12 indicators. This allowed us to evaluate the degree to which words and meaning of the Strategy were embedded within the new curriculum structures of the departments.

We also explored the alignment of the Curriculum Redesign Forms and the Programme Specification, focusing on the sections on Programme Overview, the Learning Outcomes, the Learning and Teaching Approach and the Assessment Strategy. This led to another 16 indicators. This offered insight into the extent the internal changes had made it into the public ‘offering’ of the course.

These 28 indicators were judged on a scale of Absent, Vague, Implicit, Present, Explicit. Scores were assigned and each department in the institution was reviewed by the researchers. We found varying engagement across the pillars of the Strategy and the challenge of applying principles in practice. We identified three different patterns of engagement across departments, with ‘active’ departments integrating the aims of the Strategy with disciplinary knowledge and pedagogy, ‘engaged’ departments adopting much of intent of the strategy, and group of ‘passive’ departments with minimal engagement and a focus on structural changes.

We hope this research and evaluation tool help others conduct evaluation of curriculum change. We found this approach uncovered both structural and cultural change. This is just the start of our research on curriculum change, and we hope it kickstarts other curriculum change research and evaluation, whether at the institution, faculty or departmental level.

SRHE member Dr Camille Kandiko Howson is Associate Professor of Education in the Centre for Higher Education Research and Scholarship at Imperial College London. Follow Camille on Twitter @cbkandiko

SRHE member Professor Martyn Kingsbury is Director of the Centre for Higher Education Research and Scholarship at Imperial College London.


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Making knowledge more explicit in the English for Academic Purposes classroom

by Mark Brooke

This post is part of a series tied to a special issue of Teaching in Higher Education published in March 2019. This special issue aimed to spark a re-evaluation of what higher education needs to do to respond to the post-truth world, especially from the perspective of individual educators. The twelve papers, nine of which are accompanied by posts here on the SRHE blog, take different perspectives to explore the ways in which higher education is being challenged and the responses that it might make in terms of curriculum, pedagogy and professional practice.

In 2000, Moore (2000: 33) wrote that the ‘curriculum of the future should be the curriculum of knowledge’. He argued that knowledge should be accessible to all members of society and, in this way, education should promote social and educational justice. However, we find that the educational climate for such an objective is not wholly welcoming. In many university settings, academic language courses tend to be devoid of a theoretical approach to education that places the teacher in the role of linguistic expert. Indeed, courses prominently feature notions such as grammatical accuracy instruction based on isolated clauses at the lexico-grammatical level or independent self-directed learning and study habits. Unfortunately, in these cases, the focus of instruction may first be decontextualised as extracts, which oversimplifies the meanings in the texts; and second, a theory of language or knowledge may play a backseat role or even be entirely absent. As many researchers have pointed out, focusing on common errors in a de-contextualised way is probably not effective. Additionally, independent learning, although a useful process, is often given too much focus. This detracts from the time spent with a qualified tutor as knowledge provider, taking the onus away from what the teacher does. In the case of independent learning instruction, what is being foregrounded is ‘the social circumstances of knowers’ (Maton, 2014: 5), not knowledge.

In contrast, the main goal of our research is to provide knowledge to students in the form of analytical lenses to enable them to deconstruct and judge information effectively. What we strive to do is move away from educational ‘knowledge blindness’ (Maton, 2014). Legitimation Code Theory (LCT) as a sociological framework has guided our educational practices to do this. The basic premise of Legitimation Code Theory (LCT) is that knowledge is power. LCT is a toolkit for analysing socio-cultural practices and uncovering what constitutes the ‘rules of the game’ that provide the means to that power. Ultimately, the goal is to develop a gaze or ‘a mode of thinking, acting and being’ (Dong et al, 2015: 8) through the explanatory power of the codes. In this research we seek to develop our students’ critical gaze. We achieve this by applying the dimensions of specialisation (including cosmologies) and semantics.

Specialisation determines principles of privilege in fields of practice. Practices that emphasise epistemic relation and downplay actors’ dispositions view specialised knowledge as the basis of achievement (ER+). We believe a curriculum should primarily be built on ER+. Practices that emphasise social relations, and downplay epistemic relations, are represented by the knower codes (SR+). Independent learning is an example of this, which has often been given too much focus in our field. Knower codes can be explored in greater depth through the use of the concept of ‘axiological cosmologies’. Maton (2013) defines cosmologies as ‘constitutive features of social fields that underlie the way social actors and practices are differentially characterised and valued’ (p 152). In identifying how clusters are formed, we can help students to understand the means by which experts and authors attempt to persuade the reader to align with a position on a particular issue. ‘Semantics’ is a dimension from LCT that ‘conceives social fields of practice as semantic structures whose organizing principles are conceptualized as semantic codes’ (Maton, 2014: 2). Using Semantics, it is possible to explore the relations that exist between knowledge structures and, in particular for this purpose, how to apply a critical lens to a social phenomenon or text to analyse it. 

We conducted research between 2015 and 2017 at the Centre for English Language Communication at the National University of Singapore. Our findings, from three parallel case studies within the broad framework of English for Academic Purposes (EAP), provide results from classroom-based action research working with semantics, specialisation and axiological cosmologies from Legitimation Code Theory. Each case study is outlined, explaining how these LCT dimensions have guided practice in the teaching of English for academic writing. Specifically, LCT has been applied in the development of our students’ critical dispositions by teaching them how to apply critical lenses to analyse texts and to make informed judgements. The first case study explores semantics as a strategy for teaching how to use lenses for the theoretical framework section of an IMRaD (Introduction, Methods, Research and Discussion) research paper in the social sciences. The second is set in a standalone EAP module and describes the use of a systemic-functional linguistics-informed pedagogical tool as a lens to analyse academic discourse so learners can better understand the meanings including the assumptions, unsupported claims, or biases in texts. The third regards the embedding of LCT approaches for students engaged in writing hortatory blogs in a unit entitled Public Writing and Communication. Students are taught to explore ‘axiological cosmologies’ to understand how evaluative meanings form patterns of clusters that enable the writer to create a persuasive expository text.

References

Dong, A, Maton, K and Carvalho L, (2015) The structuring of design knowledge The Routledge Companion to Design Research, pp38-49 London: Routledge.

Maton, K (2008) ‘Knowledge-building: how can we create powerful and influential ideas?’ Paper presented at Disciplinarity, Knowledge and Language: An International Symposium Sydney: University of Sydney

Maton, K (2013) Knowledge and knowers: Towards a realist sociology of education Routledge: London

Maton, K (2014) ‘Building powerful knowledge: the significance of semantic waves’ in Barrett, B and Rata, E (eds) (2014) Knowledge and the future of the curriculum, pp181–197 London: Palgrave Macmillan, Palgrave Studies in Excellence and Equity in Global Education.

Moore, R (2000) ‘For knowledge: tradition, progressivism and progress in education – reconstructing the curriculum debate’ Cambridge Journal of Education 30(1): 17–36

Mark Brooke is Senior Lecturer at the Centre for English Language Communication at the National University of Singapore. He specialises in research and teaching in two fields: English for Academic Purposes and the Sociology of Sport. He can be found on Google Scholar, Facebook and LinkedIn.The full article by Mark Brooke, Laetitia Monbec and Namala Tilakaratna (all National University of Singapore), ‘The analytical lens: developing undergraduate students’ critical dispositions in undergraduate EAP writing courses’, is in Teaching in Higher Education 24(3): 428-443


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Learning, teaching and the curriculum

By Marcia Devlin

This abstract covers three aspects of research in learning, teaching and curriculum over the past 50 years: research issues and their drivers; the impact of this research on policy and practice; and future priorities. What follows are my observations and thoughts on these aspects, which are shaped by my experience, beliefs, values and preferences.

My observations relate to: changes in higher education per se; learning theory; the role of discipline-based research; the nature of research collaborations; dissemination and impact; and possible future priorities.

Changes in higher education per se

One important defining feature of the past 50 years of research in learning, teaching and curriculum has been that the context of this research has changed so fundamentally. In 2015, we find ourselves on the trajectory predicted by Trow (1972) of higher education expansion and transformation from elite, through mass, to universal access.

A massified system has meant that not only are there more students but also, alongside the internationalisation of higher education, that students are from a far wider range of social and cultural backgrounds than the cohort who attended Western universities 50 years ago. This has changed research into learning, teaching and curriculum in these universities significantly and irreversibly. Naturally, this research has increasingly focused on how to best teach and assess students from a range of diverse backgrounds. Continue reading →