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The Society for Research into Higher Education


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Redrawing research methods and rewriting data

by Kate Carruthers Thomas

The call for papers for the SRHE 2019 Conference slid into my inbox not so long ago, marking the point in the year when the mind must focus in the short-term, in order to benefit from all things Celtic Manor in the longer term! The conference theme: Creativity, Criticality and Conformity in Higher Education invites debate on transcending the traditional and building an innovative research culture. The theme is timely in view of my own recent experiments involving graphics and poetry in social sciences research.

One year ago, I sat with a mass of rich qualitative data I’d collected for Gender(s) At Work, a research project investigating gendered experiences of work and career trajectory in higher education (HE). I’d interviewed 50 members of staff, identifying as female, male and gender non-binary, working in academic and professional services roles within one UK university. I set about analysing the data using Massey’s theory of geographies of power operating within space. I wanted to explore ways in which gender operates as a ‘geography of power’ within HE and the extent to which participants’ diverse and complex lived experiences trouble the prevailing career narrative of linear, upward trajectory.

Clear space soon emerged between the rhetoric of gender equality and lived experiences in the workplace and throughout working lives. Despite decades of equal opportunities legislation and institutional equality policies, the glass ceiling remains a feature of our sector. Elements of less familiar career archetypes: the glass cliff (Ryan and Haslam, 2005; Bruckmuller et al, 2014); the glass escalator (Williams, 2013; Budig, 2002) and the glass closet (Merriam-Webster, 2018) also surfaced in the transcripts.  These metaphors, archetypal and architectural – were something of a gift to a researcher concerned with the relationship between space and power. I found myself experimenting – you might call it doodling – with visual representations of the glass ceiling,  escalator, cliff and closet.

Using the visual was not completely new territory for me; as a doctoral student I had employed visual mapping as a research tool (Carruthers Thomas, 2018a) and tentatively used abstract diagrams as aids to explaining my theoretical framework and findings (Thomas, 2016), but I hadn’t picked up a pencil with intent since school art lessons. Nevertheless, four cartoon characters emerged from my doodles; embodiments of gendered dis/advantage in the HE workplace.

Throughout the Gender(s) At Work project, I had been disseminating emerging findings through conference papers and PowerPoint presentations. I had written a chapter about my research methodology (Carruthers Thomas, 2019a). As academics we anticipate and reproduce such formats; they keep the academic wheels turning and form the building blocks of academic credibility. With data collection complete however, I was unsure that the temporal and structural constraints of these conventions were going to do justice to the volume of complex personal narratives entrusted to me by research participants. I was also becoming increasingly drawn towards McLure’s argument for

immersion in and entanglement with the minutiae of the data … an experimentation or crafting … a very different kind of engagement with data from the distanced contemplation of the table that is the arrested result of the process.

(McLure, 2013: 174-175).

In March 2018, the Sociological Review explicitly invited unconventional contributions to its conference: Undisciplining: Conversations from the Edges. Still enjoying my experimentation with cartooning, I decided to explore the possibilities of communicating my research findings through a ‘graphic essay’ entitled My Brilliant Career? An Investigation. This would be in the format of a large-scale, hand-drawn comic strip conforming to the structural conventions of an essay or article. My proposal was accepted and the work began! The learning curve was precipitous!

 In June 2018, I exhibited My Brilliant Career? An Investigation at Undisciplining (Carruthers Thomas, 2018b) in the impressive surroundings of BALTIC Gateshead. The four A2-sized panels remained on display throughout the three days of the conference. It was strikingly different, communicating my research this way rather than hothousing it in a 20 minute Powerpoint presentation. Many delegates returned to the exhibit several times to look, bring colleagues, take photographs, ask questions. I engaged in discussions not only about the medium, but about the research process and findings too. And I myself engaged anew with the work, as an exhibit, rather than a cherished work in progress. I later translated the four panels into an A1-sized academic poster, displayed at the SRHE 2018 Annual Conference.

Meanwhile, another call for unconventional conference contributions in the form of poetic and performative work, had come from the Art of Management and Organisation (AoMO). This triggered a second experiment in creative criticality resulting in Glass, a long poem also based on the Gender(s) At Work data. Unlike graphic art, in poetry I do have a track record (Carruthers Thomas, 2018c), but had not considered blurring the boundary between poetry and academia until this call. Yet, as an academic my research practice involves collecting, analysing, distilling and presenting data. My research is a form of enquiry seeking enhanced intelligence and evidence to advocate organisational, structural and cultural change. As a poet, I follow a similar process to create a poem. More, or less, consciously I collect data: ideas, questions, emotions, sense phenomena, then manipulate language and sound to distil the data into poetic form. Glass brings these practices together.

To write it, I returned yet again to the interview transcripts, creating a poem comprising four sections – ceiling, escalator, closet and cliff – using participants’ words and a narrative framework featuring the researcher’s voice, using original poetry. Glass was deliberately written as a piece to be performed, another first, as I had only previously written poems for the page.

Even now, even now in my meetings

I’m still faced with wall to wall suits.

And I still hear my colleagues repeating

the proposal I tried to get through weeks ago

Great idea!

                                                                                (extract from Cliff, Glass 2018)

Glass and My Brilliant Career were created independently of one another, in different media but they draw on the same research data. This is not all they share. Both involved an extended process of analysis and representation; repeated revisiting of the data and work in painstaking detail. Both explicitly draw on and draw in, the affective, bringing the potential for surprise, humour, anger and pain into the room without apology. Finally, both also required me to allow myself to be vulnerable to audience resistance, discomfort, critiques on multiple levels and questions of academic validity.

Largely positive responses to the graphic essay and the research poem at those conferences set me thinking about ways to signpost the potential of creative approaches in social science research more widely and led to another experiment in academic practice.  I designed a multi-modal dissemination programme to take the findings of Gender(s) At Work out to UK universities and research institutes.  The programme featured six ‘options’ from which host institutions could select, mix and match: the exhibit My Brilliant Career? An Investigation; the research poem Glass; a conventional Powerpoint presentation of the research findings: The Workplace Glassed and Gendered and another giving an illustrated account of my emerging graphic social science practice: The Accidental Cartoonist. Building on both the research findings and visual methods, I also designed two participative workshops. Mapping Career challenged participants to develop meaningful visual alternatives to the reductive metaphors of career ladder and pipeline and On The Page explored the way simple visual and graphic methods might be used in research and teaching. I publicised the programme via email across the UK HE sector.

The response was extraordinary. Since November 2018 I’ve visited universities and research institutes from Edinburgh to London; Cambridge to Bangor. Audiences have included academics in all disciplines, professional services staff, senior management, conference delegates, Athena SWAN teams, women’s networks and mentoring groups, postgraduate and undergraduate students. I called the initiative the ‘gword tour’ after my blog the g word (that’s g for gender).   Six months, 30 ‘gigs’ – all that’s missing is the T-shirt!

One day I might be discussing Gender(s) At Work aims, research methods and findings to Athena SWAN leads and women’s networks; on another I’ll be delivering the Mapping Career workshop at a staff conference. I’ve presented The Accidental Cartoonist to academic developers and EdD students and encouraged academics to experiment with visual methods in their research and teaching practices in the On The Page workshop. Glass has been performed at some unlikely venues, including the Wellcome Sanger Genome Campus, the Stansted Airport Novotel – and to audiences somewhat larger than those at the average poetry reading!

How will you crack the glass enclosing some,

exposing some, blinding others

to their privilege?

Reflect on it.

                                                                                (extract from Epilogue, Glass 2018)

Throughout the gword tour I have diligently handed out structured feedback forms (in return for a free postcard), providing me with a continuous feedback loop and resulting in adaptation and tweaking of individual sessions throughout. Now the tour has concluded, a large pile of completed forms await me and I’m looking forward to getting the bigger picture. Meanwhile I’m already musing on two questions which have arisen throughout the past year. Firstly, whether and how addressing familiar topics through unfamiliar media can disrupt audience expectations and dislodge habitual responses to tricky subjects such as gender equality; secondly, whether what I have described in this blog constitutes being ‘differently academic’. 

By ‘differently academic’ I mean taking the opportunity to sit with our data for longer, deliberately to approach it from different angles, to explore its creative dimensions. I mean bringing data to diverse audiences, in diverse ways over an extended period, a process which has only further energised and deepened my engagement in the original research questions. Audience after audience has grilled me on my research rationale, process, findings, limitations and implications. Each time, their questions, comments and challenges have pushed my analyses further and opened new lines of enquiry.

I fully intend to publish my reflections on these questions in conventional academic formats: papers, articles and chapters.It may be that creative, critical work in our field can only gain academic legitimacy through this route.Meanwhile, other opportunities have arisen. Glass was published in the Sociological Fiction Zine in May 2019 (Carruthers Thomas, 2019b). I am currently working on a set of visuals for a new academic research centre and will be poet-in-residence at an academic conference in November 2019. The SRHE call for papers defines creativity as ‘transcending traditional ideas, rules, patterns, relationships’. I hope to continue to be creative and critical in my academic work, not for transcending’s sake, but ‘to create meaningful new ideas, forms, methods, and interpretations’.

SRHE member Dr Kate Carruthers Thomas is Senior Research Fellow and Athena SWAN Project Manager at Birmingham City University  kate.thomas@bcu.ac.uk  @drkcarrutherst Blog: – the g word https://thegword2017.wordpress.com/

References

Bruckmüller, S, Ryan, M, Rink, F and Haslam, SA (2014) ‘Beyond the Glass Ceiling: The Glass Cliff and its Lessons for Organizational Policy’, Social Issues and Policy Review, 8(1): 202-232

Budig, M (2002) ‘Male Advantage and the Gender Composition of Jobs: Who Rides the Glass Escalator?’, Social Problems 49(2): 258-277

Carruthers Thomas, K (2018a) Rethinking Student Belonging in Higher Education: From Bourdieu to Borderlands, Abingdon: Routledge

Carruthers Thomas, K (2018b) My Brilliant Career? An Investigation. Graphic Essay exhibited at Undisciplining: Conversations from the Edges Sociological Review, Gateshead, BALTIC.  June 2018

Carruthers Thomas, K (2018c) Navigation, Blaenau Ffestiniog, Cinnamon Press. 

Carruthers Thomas, K (2019a) ‘Gender as a Geography of Power’ in G Crimmins (ed) Resisting Sexism in the Academy: Higher Education, Gender and Intersectionality, Basingstoke: Palgrave Macmillan

Carruthers Thomas, K (2019b) Glass. Sociological Fiction Zine, Edition #5 www.sofizine.com.

McLure, M (2013) ‘Classification or Wonder? Coding as an Analytic Practice in Qualitative Research’, In Coleman, R and Ringrose, J (eds) Deleuze and Research Methodologies, Edinburgh: Edinburgh University Press.  Chapter 9. pp.164-183.

Merriam-Webster (2019). [online] Available from https://www.merriam-webster.com/dictionary/glass%20closet Accessed 28 May 2019.

Ryan, M and Haslam, A. (2005) The Glass Cliff: Evidence that Women are Over-Represented in Precarious Leadership Positions, British Journal of Management, 16(2): 81-90

Thomas, K (2016). Dimensions of belonging: rethinking retention for mature, part-time undergraduates in English higher education, PhD thesis, Birkbeck, University of London

Williams, M (2013) ‘The Glass Escalator, Revisited. Gender Inequality in Neoliberal Times’, Gender & Society 27 (5): 609–629


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Minding the gender gaps in European higher education

by Juliette Torabian

Click on the title followed by ‘version française’ below to jump to the French language version of this post. We continue to encourage submissions such as the one below to include perspectives in languages other than English. Please send all contributions to the editor, rob.cuthbert@uwe.ac.uk

l’UE: L’inégalité des genres dans l’enseignement supérieur toujours bien présente! (version française)

Minding the gender gaps in European higher education

Fostering equity and equality between men and women and reducing different forms of gendered discrimination has taken centre stage in the European policies of the past two decades, for example in the pact for gender equality (2011-2020).

Gender equality policies and legislation have also proliferated at national and institutional levels, in an attempt to reduce existing vertical and horizontal gender segregations which have traditionally favoured men. For example, 23 out of 28 European Member States have established a voluntary or legislative quota for political parties and their parliaments to ensure women representation. To tackle the gender pay gap – which is one of the most persistent horizontal gender inequalities – in the UK and in Germany, for instance, companies are now required to establish transparency in their salary and bonus systems.

Similar policies have been applied to academia and research. In Austria, for example, there is a 40% quota for all university committees and universities are awarded additional funds for appointing women professors. In the UK, the Equality Challenge Unit monitors and supports equity and equality among staff and students in higher education, and in Sweden extra support is provided to women approaching professorship. Such initiatives also exist, in different degrees and forms, in Belgium, France, the Netherlands, Germany, Denmark, and Finland, according to the EIGE report.

Have these multiplying initiatives transformed gendered norms and stereotypes in higher education systems and helped creating equal opportunities for both men and women? The reality is not as promising as one might wish for.

One basic issue arises from the distorted interpretations of gender equality as a concept. Increasingly, it is used as an equivalent to women’s rights and empowerment in the so-called battle of the sexes.

Within this distorted perception, “the oppressed becomes the oppressor”- to use Freire’s words. Instead of rewarding institutions where outcomes for women practically equal those of men, the tendency is for near-parity or women outperforming men to be applauded – while in both cases the actual participation levels are hidden and/or ignored. In effect, this worldview harms men but harms women even more severely. It objectifies women in institutions’ tokenism while no actual shift in power relations has taken place.

This perplexing view has a direct impact on access and success in higher education. In many OECD countries, particularly those with higher income, boys are more likely to repeat a grade, dropout of high school, and opt for directly entering the labour market rather than higher education. This has led to a ‘feminisation’ of bachelor’s programmes (58% female graduates). The choice of fields and progress in the level of study remain gender segregated. Women are more likely to study undergraduate programmes considered feminine, including education, business, law, social science, health and welfare. Men, on the other hand, study in engineering and STEM fields and outnumber women at PhD levels – that is, if they opt to enter university.

Gender inequalities that still persist are indeed causing considerable economic loss of public and private investment in higher education. “Across the EU, women have better educational outcomes than men (44% of women aged 30-34 in the EU completed tertiary education, compared to 34% of men)”, yet receive an average of 16%  less hourly pay.  Around 10% of their wage difference remains “unexplained” according to the 2018 EU report on equality.

Likewise, according to Eurostat’s 2017 report, 22.4% of the European population are at risk of poverty and social exclusion. We know that men are increasingly shunning higher education. It is also clear that “those with only upper secondary education have earned around 50% less than those with a tertiary education between 2000-15 in OECD countries”. The prospects for the average European household poverty rate in the next decades sound worrying with less educated men and lower paid educated women. It may be, therefore, fair to say that gender equality policies- in their current forms- have not delivered equal opportunities and are not fit to create sustainable societies.

I have elsewhere expressed my concern on access policies that can be carrying a “Cinderella syndrome”, hence betraying the promise of higher education in bringing social change. I reiterate my argument here with regard to the current formulation and application of gender equality policies and quotas in European higher education.

Despite some progress, gender policies have systematically failed in ‘undoing’ gender stereotypes. They are – at least partially – responsible for : increasing inequality of access for men to a majority of undergraduate fields of studies; maintaining the proportions of men and women in fields traditionally assigned to their gendered roles; and not having completely reversed trends in salaries and representation of women at professorial and higher management levels in universities. Evidence from a recent study in France has also shown the failure of gender-related quotas. It argues that having more women on appointment committees has, in fact, had reverse impacts and dramatically cut the number of female academics getting hired.

It is time to mind and close the gender gaps that still persist and to redress the new ones we have fabricated by the inadequacy of our gender policies in higher education systems.  Or, We could confide it to AI, but that might make things worse!

Juliette Torabian is a senior international specialist in education and sustainable development. She holds a PhD in Education from the Institute of Education, University College, London and a Masters in Development from SciencesPo, Paris. Her research focuses primarily on comparative higher education policy and practice, social justice and gender equality.

l’UE: l’inégalité des genres dans l’enseignement supérieur toujours bien présente!

par Juliette Torabian

Au cours des deux dernières décennies, l’équité des genres et l’égalité entre hommes et femmes ainsi que la réduction des différentes formes de discrimination fondée sur le genre, ont été au centre des politiques européennes; par exemple, le pacte pour l’égalité des genres (2011-2020).

Les politiques et les législations dans ce domaine ont également proliféré aux niveaux national et institutionnel dans les États membres européens afin de réduire les ségrégations de natures verticales et horizontales entre hommes et femmes, favorisant traditionnellement les hommes. Par exemple, 23 États membres européens sur 28 ont établi un quota volontaire ou légal pour la représentation des femmes au sein des partis politiques et dans les parlements. Pour faire face à l’écart des rémunérations entre hommes et femmes – l’une des inégalités horizontales des plus persistantes – au Royaume-Uni et en Allemagne, par exemple, les entreprises sont désormais tenues d’instaurer une transparence dans leurs systèmes de rémunération et de primes.

Des politiques similaires en matière de genre ont été appliquées dans les universités et la recherche. En Autriche, par exemple, il existe un quota de 40% pour la composition des comités universitaires mais également une compensation financière pour chaque affectation de femme académique. Au Royaume-Uni, « Equality Challenge Unit » surveille et soutient l’équité et l’égalité au sein du personnel et des étudiants, tandis qu’en Suède, il existe un mécanisme de soutien supplémentaire aux femmes en phase d’accéder aux plus hauts niveaux académiques. Selon le rapport EIGE (Institut européen pour l’égalité entre les hommes et les femmes), de telles initiatives existent également, à divers degrés et sous différentes formes, en Belgique, en France, aux Pays-Bas, en Allemagne, au Danemark et en Finlande.

Ces innombrables initiatives, ont-elles réussi à transformer les stéréotypes dans les systèmes d’enseignements supérieurs et par conséquent à créer des chances égales pour les hommes et les femmes ? La réalité n’est pas aussi prometteuse qu’on pourrait espérer.

Un problème fondamental découle de l’interprétation erronée du concept de l’égalité des genres. Il est de plus en plus utilisé comme synonyme des droits et de l’autonomisation des femmes dans la prétendue bataille des sexes.

Dans cette perception tordue, “les opprimés deviennent les oppresseurs”, selon Freire. Au lieu de valoriser les institutions où les mesures prises ont donné lieu à des résultats concrets assurant l’égalité des femmes et des hommes, la tendance serait davantage à applaudir la semi-parité ou bien les femmes qui surpassent les hommes ; alors que dans les deux cas le taux réel de participation en général demeure ignoré pour ne pas dire dissimulé. En effet, cette vision nuit aux hommes mais nuit encore plus gravement aux femmes. Les femmes sont ainsi stigmatisées à travers des mesures purement symboliques sans aucun changement à l’horizon dans les rapports de force.

Cette conception perplexe de l’égalité des hommes et des femmes dans l’enseignement supérieur a un impact direct sur l’accès à l’université et sur le succès dans les études. Dans de nombreux pays de l’OCDE, en particulier ceux où les revenus sont les plus élevés, les hommes sont plus en proie au redoublement, à l’abandon de leurs études secondaires et à opter pour le marché du travail plutôt que pour les études supérieures. Cela s’est traduit par une « féminisation » accrue au niveau des licences (58% de femmes diplômées). Le choix des filières et la progression du niveau des diplômes restent dominés par les stéréotypes de genre. Les étudiantes sont davantage enclines d’obtenir une licence dans les filières dites féminines : le droit, les sciences sociales, l’enseignement, le commerce et la santé. Alors que les étudiants choisissent davantage des filières d’ingénieur, des sciences et des technologies, dépassant en final, le nombre de femmes titulaires d’un doctorat, -si bien sûr ils poursuivent leurs études supérieures.

Les inégalités de genres qui persistent entraînent une perte économique considérable en termes d’investissements publics et privés dans l’enseignement supérieur. “Dans l’ensemble de l’UE, les femmes obtiennent de meilleurs résultats scolaires que les hommes (44% des femmes âgées de 30 à 34 ans dans l’UE ont achevé leurs études supérieures, contre 34% des hommes)”, mais perçoivent en moyenne 16% de moins en salaire horaire. Considérant que 10% de cette différence de salaire, reste « injustifiée » selon le rapport 2018 de l’UE sur l’égalité.

De même, selon le rapport d’Eurostat 2017, 22.4% de la population européenne est exposée au risque de pauvreté et d’exclusion sociale. Nous savons que les hommes s’éloignent de plus en plus des études supérieures. Il est avéré que « ceux qui n’ont suivi que le deuxième cycle de l’enseignement secondaire, ont gagné 50% de moins que ceux qui ont fait des études supérieures entre 2000 et 2015 dans les pays d’OCDE ». La prospective d’un taux moyen de pauvreté au cours des prochaines décennies dans les ménages européens comptant des hommes moins scolarisés et des femmes éduquées mais moins bien payées, est inquiétante. Il serait donc juste de dire que les politiques d’égalité de genre -dans leurs formes actuelles- ne sont pas susceptibles de créer des chances égales pour une meilleure cohésion sociale.

A d’autres occasions, j’ai exprimé ma préoccupation à propos des politiques d’accès pouvant entraîner un “syndrome de Cendrillon” trahissant ainsi la promesse de l’enseignement supérieur pour assurer un changement social. Je considère donc que le même raisonnement s’avère juste quant à la formulation et l’application actuelles des politiques et des quotas en matière d’égalité des genres dans l’enseignement supérieur européen.

En dépit de certains progrès, les politiques en faveur de l’égalité des sexes ont systématiquement échoué dans la « suppression » des stéréotypes sexistes. Ces politiques sont au moins partiellement responsables : des inégalités d’accès des hommes à une majorité des programmes de licence ; de maintenir le statu quo de la représentation des deux sexes dans les filières traditionnellement associées à leur rôle social respectif ; et enfin, de ne pas avoir complètement inversé les tendances des niveaux de salaires et la représentativité des femmes dans les hautes fonctions universitaires. Effectivement une étude récente en France fait écho de l’échec des quotas. Elle établit que le fait d’imposer des quotas pour la présence des femmes dans les comités de sélection, a eu de facto des répercussions inverses et a considérablement réduit le nombre d’enseignantes embauchées dans les universités.

Il serait peut-être temps de traiter une fois pour toutes, l’imbroglio des disparités persistantes entre les genres et de réparer nos politiques qui par leur inadéquation, fabriquent de nouvelles formes d’inégalités dans nos systèmes universitaires en Europe. Ou bien, confions cela à l’intelligence artificielle,… à nos risques et périls !

Juliette Torabian est une spécialiste internationale dans le domaine de l’éducation et du développement durable; PhD de Institute of Education, University College London; Diplômée de SciencesPo – Paris; ses recherches sont concentrées sur l’analyse comparative des politiques de l’enseignement supérieur, la justice sociale et l’égalité des genres.